The Shield of SilenceComstock, Harriet T. (Harriet Theresa)
General
The Shield of Silence
Comstock, Harriet T. (Harriet Theresa)
Children and adults -- Fiction; Man-woman relationships -- Fiction
"Better an hour of raging against the absence of me," she said,
pitifully, "than years of regretting my presence. He'll hate me a little
sooner, that's all. So--good-bye!" Patricia almost ran inside; left a
hasty, badly written note, and, metaphorically, scrambled over the
disordered path of retreat; she seemed to be racing against that letter
on its way to Joan. She would write later to the man who was drawing
near. Only one thing did Patricia pause to do: It was like driving the
last nail in the old life. She telegraphed to Chicago, accepting the
position of designer!
CHAPTER XVIII
"_Ours, if we be strong._"
Joan had sung herself into an exalted mood. She had floated along on the
wings of music, touching happy memories and tender, nameless yearnings.
Her loved ones seemed crowding about her--Doris, dear, sweet Nancy, and
pretty Pat. They were pressing against her heart and calling to her.
She began to feel a dull ache for them, a growing impulse stirred deep
in her unawakened nature such as always drives the Prodigal unto his
Father! The superficial life of the past year seemed husks indeed. It
was the beautiful music that mattered and that she could have had with
her blessed, safe, loved ones. She need not have left them lonely; she
had been shamelessly selfish. Freedom! What was her freedom? Just a
tugging against the sweetest thing in life--the false against the true!
Joan felt the tears falling down her cheeks while she sang on--and
suddenly it was Patricia who seemed closest to her.
"I will not desert Pat," she actually sang the words into her song
fiercely, resolutely. "Patricia must come into safety with me."
With this vowed to her soul, Joan dried her tears and sprang to her
feet. She had never felt so lonely, so happy, so free as she did that
moment when her spirit turned homeward again.
She kicked off her sandals and began to dance about the studio, lightly,
joyfully.
The late afternoon was fading into a sudden darkness--a storm was
coming; black, copper-dashed clouds were rolling on rapidly, full of
noise and electricity; in a short time they would break over the
city--but Joan danced on and on!
In that hour not one thought of Kenneth Raymond disturbed her. He
belonged to the time of mistaken freedom; he was one who had helped her
to think she could make unreal things true. He had no place here and
now. She somehow felt that he had passed from her life.
Joan was abnormally young and only superficially old; her experiences
had but developed her spiritually--aroused her better self; and in that
self lay her womanhood, her knowledge of sex relations; there it rested
unharmed, unheeding.
And then came a knock on the door!
The whirling figure paused on the tips of its toes; the brooding face
broke into smiles.
"It's Pat! Come!"
The word "come" was all that reached the waiting man outside--and when
he entered he gathered to himself the glad, joyous welcome meant for
Patricia, and smiled at the poised figure.
Public-domain text, read in full here on John Shaqi.
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