The Ship-Dwellers: A Story of a Happy CruisePaine, Albert Bigelow
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The Ship-Dwellers: A Story of a Happy Cruise
Paine, Albert Bigelow
Middle East -- Description and travel
Remember it never rains here; these hills have never known water since
the Flood, but have been baking in this vast kiln for a million years.
You will realize that it must be hot, then, but you will never know how
hot until you go there. Here and there a rock leaned over a little and
made a skimpy blue shadow, which we sidled into as we passed for a
blessed instant of relief. We understood now the fuller meaning of that
Bible phrase, "As the shadow of a great rock in a weary land." This was
a weary land with shadows far between. Now and then those astonishing
donkeys broke into a gallop and stirred up a little scorching wind, the
unflagging boys capering and shouting behind.
It seemed an endless way, up into these calcined hills to the
Burial-place of Kings, but by-and-by there were traces of ruins and
excavation, and we heard the throb of a dynamo on the quivering air. We
dismounted then, and Gaddis led us up a burning little steep to what at
first seemed a great tunnel into the mountain-side. How deep and cool
and inviting it looked up there; we would go in, certainly. Was it
really a tomb? No wonder those old kings looked forward to such a place.
It was merely an entrance to a tomb--a tunnel, truly, and of such size
that I believe two railway trains could enter it side by side and two
more on top of them! I think most of us had the idea--I know I did--that
we would go down ladders into these tombs, and that they would be
earthy, cheerless places, more interesting than attractive.
They are the most beautiful places I ever saw. The entrances--vast, as I
have stated--go directly in from the hillside; the rock floors are dry
and clean, while the side-walls and the ceilings are simply a mass of
such carving and color as the world nowhere else contains. An electric
dynamo set up in a tomb that was never finished (that of Rameses XII., I
believe) supplies illumination for these homes of the kingly dead, and
as you follow deeper and deeper into the heart of the mountain your
wonder grows at the inconceivable artistic effort and constructive labor
that have been expended on those walls. Deeper, and still deeper, along
a gradual decline that seems a veritable passage to the underworld. Here
and there, at the side, are antechambers or avenues that lead away--we
wonder whither.
Public-domain text, read in full here on John Shaqi.
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