The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same nameHarper, Olive
General
The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same name
Harper, Olive
Abduction -- Fiction; Fathers and daughters -- Fiction; Shoemakers -- Fiction; West (U.S.) -- Fiction
All the boomers were occupied each with his own plans, and they seemed
to consist in getting their claims registered, and after that getting
their tents set up. In a surprisingly short time the place looked like
a miniature village done in white. No one seemed to notice that two
men had approached Helen and the child, who were still sitting on the
box which Morris owned. As she saw these rough-looking men, each with
a full dark beard, Helen started, for there was something sinister in
their manner. She turned to them, saying:
“Who are you, and what do you want?”
“Never mind who I am. I know my business, and it is that I want that
boy.”
“What right have you to ask such a thing? What is this child to you?”
As Helen said this firmly, John stood so that he was hidden from sight,
while he removed his false beard, saying:
“Look at me closely and, maybe, you will know.”
“My God! it is John Pierson!”
“Yes; John Pierson, and that boy’s father.”
“Then I am his mother. Touch him if you dare!”
“Don’t let him take me! Don’t let him! It was that man that killed the
man in New York and tried to kill me!” screamed Loney, clinging to
Helen wildly.
“Don’t fear, my child! for he shall not harm one hair of your head!”
“And what will you do? What can you do to prevent it?”
“Do? Stand here and fight for him until you’ve hacked me to pieces with
that murderous knife! And I bid you beware, for I am his mother!”
“Onto her, Dopey! We’ll settle this right now!”
Dopey started toward Helen with his slung-shot raised for a crushing
blow, when he stopped suddenly with his arm raised, as he saw behind
John the long figure of Morris, who stood there, with his pistol
raised, ready to fire.
Morris had not lived long as he had in the West without learning how to
shoot and to employ some of the picturesque language in use there.
“Looket out, mein frients! Diss is de Yiddish doctor, und he might fill
you full of a kint of pills you vouldn’t like so vell.”
“Get away, Dopey; here comes someone else we don’t want to meet.” And
they started away so suddenly that Morris had no chance to shoot, had
he dared fire in that crowded place.
“Und I dare not shoot, although dose are de mens vot haf mein Dora.”
“They are the ones that killed the man in your shop, for I saw the big
one take off his whiskers--and it was the same one!”
“Und mein chilt, maype, is among dis crowd. May de goot Gott show me de
vay to fint her!”
While this was transpiring, Helen was kneeling at Loney’s side, weeping
with joy and kissing the child at the same time. “May He help you to
find your child as He has helped me find mine! Loney is my own little
boy, whom Heaven has sent back to his mother’s heart. Thank God! that
he did not die!”
“I knew that you would come back some day, for I always prayed you
would. I knew I would find my mother. I don’t like my father, for he is
bad and wicked. He tried to kill me, and carried Dora away!”
“Is that so, Mr. Goldberg? It is then but an added crime.”
Public-domain text, read in full here on John Shaqi.
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