The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same nameHarper, Olive
General
The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same name
Harper, Olive
Abduction -- Fiction; Fathers and daughters -- Fiction; Shoemakers -- Fiction; West (U.S.) -- Fiction
“Don’t worry about the boy, Helen. He is safer with the boys than with
you.”
They did not notice Muriel, who looked at Helen for a moment with tears
in her eyes and then slipped away unseen by Helen, whose sorrows she
had caused in a great measure.
“Are you sure he would be safe with them? Think what it would mean to
me to lose him again!”
“Don’t worry. Anyone of the boys would die for you any day, and as he
is your boy they would naturally transfer their allegiance to him. And
you say it is his father who, to rob you of him, killed your brother,
‘Cactus Bill,’ and stole this poor Dora? Say, he must be aching for
the noose. And, besides, it was he who tried to kill Goldberg!”
“Yes; he is John Pierson. I saw him but just now, and he tried to
take my child again. Oh, I wonder such men are permitted to live! He
outraged every human emotion, abandoned me with another woman, and to
think that he should have killed my poor brother! He was an honest man.”
“You bet he was. We all knew him, and he was white, he was.”
Shoshone stopped in his oration, saying: “Go back to the tent, girl.
Some of the boys are going to get busy.”
“What do you mean, Shoshone?”
“Nothin’, Helen, nothin’. I didn’t mean for you to go alone. I’ll go
along.”
“Thank you, Shoshone, I am growing to be a coward.”
They could not have gone more than fifty yards from the box when Muriel
came back that way, looking behind her in terror, as she saw her two
enemies following her, so that she could not escape. John approached
her, saying:
“What have you done with her? Where is she, you traitor?”
“I have set her free, you devil! and I’m ready to die for having done
it!” said Muriel, no longer seeking to escape, and folding her hands.
“Then die!”
Saying this, John fired point-blank at Muriel’s heart, and she fell to
the ground with a cry, while John said to Dopey: “Come this way! this
way, quick!”
At the sound of this shot, followed by a woman’s cry, there was a rush
of people, and among them Helen, for, in her excited mind, she feared
for her child. As she approached, the men made way for her, and she
knelt by the side of the dying woman, saying:
“A woman, poor thing!”
Then she started, saying, “You, you!”
“Yes, I; and is it possible that I am to die in your arms--you whom I
wronged so deeply?”
“Yes, Muriel, if you die, it shall be in my arms and with my pardon.”
“You pardon me after all I’ve done to you?”
“Yes; freely and fully, but don’t think of that. Can you pray?”
“Not until I tell you who killed me! It was John Pierson. The man I
took away from you has been your avenger.”
“I want no revenge, Muriel. Vengeance is not for us!”
The unfortunate woman gasped a few times, and while Helen was praying
for the passing soul the light went out of Muriel’s eyes and she was
dead!
“Hats off, boys; she is going over the range,” Shoshone had said while
Muriel was gasping her last breaths. Helen covered the face, letting
fall pearly tears as she did so.
Public-domain text, read in full here on John Shaqi.
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