For the next three years Hawthorne resided in Concord at the Old Manse.
In this retired town, where such eminent people as Emerson and Thoreau
were to be met, he lived a very happy, quiet life, given to musing and
observation. But he had lost a considerable sum of money in the Brook
Farm experiment, the failure of _The Democratic Review_ prevented
payment for his contributions, and he began to feel the pinch of
poverty. At this juncture his college mates, Bridge and Pierce, came to
the rescue, and on March 23, 1846, he was appointed surveyor of the port
of Salem, that spot in which the Hawthorne family was so firmly rooted,
whither he had previously returned with his wife and daughter, Una, born
in Concord in 1844.
Though happy for a short time at getting into the stir of actual life,
the routine and sordidness soon palled and he began to fret in the
harness. This mood kept him from composition till he forced from
himself, in 1848, the last of his short stories, including "The Great
Stone Face" and "Ethan Brand." Despite the effort, the stories rank
well. In 1849 he was dismissed from office by a change of political
administration, not because of inefficiency. He took this dismissal hard
because some of his townspeople had been opposed to him. Again he was in
money difficulties from which he was released by a donation from his
loyal friends. The leisure thus made possible was devoted to the
production of his greatest work, a novel, "The Scarlet Letter," which is
a study in the darker side of Puritanism. Its publication in April,
1850, brought him fame. In the same year he moved to the Berkshire
Hills.
The year and a half in the hills was thoroughly happy. He had the
incentive of success, the tranquillity of mind due to sufficient means,
physical comfort, and a loving household now enlarged by the birth of a
second daughter, Rose. During this time he wrote and published (1851)
his novel, "The House of the Seven Gables," the study of an inherited
curse, made pleasing as a story by means of its realistic portrayal of
ordinary life. He also put many of the stories of classical mythology
into a form understandable by children, publishing the results in "A
Wonder-Book for Girls and Boys" (1852) and "Tanglewood Tales for Girls
and Boys" (1853). In 1852 appeared "The Snow Image and Other Twice-Told
Tales," containing hitherto uncollected contributions to various
magazines.
Public-domain text, read in full here on John Shaqi.
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