Sir William Howe smiled at words which he would have answered with one
of his darkest frowns had they been uttered by lips that wore a beard.
He was spared the necessity of a retort, by a singular interruption. A
sound of music was heard without the house, as if proceeding from a full
band of military instruments stationed in the street, playing not such a
festal strain as was suited to the occasion, but a slow funeral march.
The drums appeared to be muffled, and the trumpets poured forth a
wailing breath, which at once hushed the merriment of the auditors,
filling all with wonder, and some with apprehension. The idea occurred
to many that either the funeral procession of some great personage had
halted in front of the Province House, or that a corpse, in a
velvet-covered and gorgeously-decorated coffin, was about to be borne
from the portal. After listening a moment, Sir William Howe called, in a
stern voice, to the leader of the musicians, who had hitherto enlivened
the entertainment with gay and lightsome melodies. The man was
drum-major to one of the British regiments.
"Dighton," demanded the General, "what means this foolery? Bid your band
silence that dead march--or, by my word, they shall have sufficient
cause for their lugubrious strains! Silence it, sirrah!"
"Please your honor," answered the drum-major, whose rubicund visage had
lost all its color, "the fault is none of mine. I and my band are all
here together, and I question whether there be a man of us that could
play that march without book. I never heard it but once before, and that
was at the funeral of his late Majesty, King George the Second."
"Well, well!" said Sir William Howe, recovering his composure--"it is
the prelude to some masquerading antic. Let it pass."
Public-domain text, read in full here on John Shaqi.
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