The Sia: (1894 N 11 / 1889-1890 (pages 3-158))Stevenson, Matilda Coxe
History
The Sia: (1894 N 11 / 1889-1890 (pages 3-158))
Stevenson, Matilda Coxe
Zia Indians
It will be noticed that the slat altar in Pl. XXV differs from that in
Pl. XXIII. Both belong to the Knife Society and may be seen hanging
side by side on the wall in the ceremonial chamber of the Quer´ränna,
(Pl. XXVIII) which is also the official chamber of the Knife Society.
The second was made in case of failure of the first. The vicar of this
society is also ho´naaite and only surviving member of the Ant Society,
and he, being anxious that the writer should see the sand painting of
the Ant Society, prepared the painting for this occasion instead of
the ho´naaite (Fig. 17). He also drew her a sketch of the painting of
Ant Society for ceremonial held for the sick, which is here introduced
(Fig. 18). This last may be described as follows:
_a_ represents meal painting emblematic of the clouds, _b_ and _c_
bear-leg skins laid either side of it. The remainder of painting is in
sand. _d_: Ant chief clad in buckskin fringed down the arms and legs;
he carries lightning in his left hand; his words pass straight from
his mouth, as indicated by a line, to the invalid _e_, who sits at the
opening of the ceremonial to the right of the painting. The ant chief
speaks that the malady may leave the invalid. A song of this character
is sung by the members of the society. The invalid then passes to the
front of the altar and stands upon a sacred Tusayan blanket (position
indicated by _f_), when the ho´naaite and other members of the society
proceed with their incantations over him, imploring the prey animals to
draw the ants to the surface of the body. When the ants have appeared
and been brushed from the body then a song is addressed to the eagle
_g_ to come and feed upon the ants. When the ants have been eaten by
the eagle the invalid will be restored to health. The two circular
spots _h_ represent ant houses. These, with the paintings of the ant
chief and eagle, are gathered into the blanket upon which the invalid
stood and carried some distance north of the village and deposited.
After the blanket has been taken from the chamber the meal painting is
erased by the ho´naaite brushing the meal from each of the cardinal
points to the center with his hand; he then rubs the invalid’s body
with the meal, after which the members hasten to rub their bodies with
it, that they may be purified not only of any physical malady but of
all evil thoughts.
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