The Sia: (1894 N 11 / 1889-1890 (pages 3-158))Stevenson, Matilda Coxe
History
The Sia: (1894 N 11 / 1889-1890 (pages 3-158))
Stevenson, Matilda Coxe
Zia Indians
The five ya´ya were placed in line in front of the altar and on the
sand-painting, and a miniature bow and arrow were laid before four of
them, the captive one having none. Bear-leg skins with the claws were
piled on either side of the altar, and upon these were laid necklaces
of bears’ claws, each necklace having a reed whistle suspended midway,
two fluffy eagle plumes, tipped with black, being attached to the end
of the whistle. The medicine bowl was posted before the five ya´ya, the
stone fetiches arranged about the sand painting, and the cloud bowl
in front of the whole. The woman brought a triple cupped paint stone
near the altar and ground a black pigment, yellow ocher, and an impure
malachite; these powders were mixed with water, and the woman and girl
painted the hä´chamoni, the child being quite as dextrous as her elder,
and equally interested.
While the hä´chamoni were being colored the ho´naaite was busy
assorting plumes. He first laid thirteen turkey plumes separately upon
the floor, forming two lines; upon each plume he laid a fluffy eagle
feather, and then added successively to each group a plume from each of
the birds of the cardinal points, turkey plumes being used instead of
chapparal cocks’. A low weird chant was sung while the ho´naaite and
his vicar tied each pile of plumes together with native cotton cord,
the ho´naaite waving each group, as he completed it, in a circle from
left to right before his face. The woman at the same time made four
rings of yucca, 1¼ inches in diameter, some two dozen yucca needles
having been wrapped in a hank and laid in a bowl of water. The child
brought the hank from the farther end of the room to the woman, who,
taking a needle of the yucca, wound it four times around her thumb and
index finger; then wrapping this with an extra thread of yucca formed
the ring. When the four rings were completed the child took them to the
paint stone, which the woman had removed to the far end of the room,
and dipped them into the yellow paint and laid them by the woman, who
tied three of the piles of plumes together and afterwards handed the
rings to the ho´naaite, who added to each ring a plume from the wing
of a humming bird. These rings were offerings to the cloud children
emblematic of the wheels upon which they ride over ti´nia.
In attaching the plume offerings to the hä´chamoni, the latter are held
between the large and second toes of the right foot of the men and
woman. There were ten hä´chamoni to bear messages to the cloud rulers
of the cardinal points—Ho´chänni, high ruler of the cloud people of the
world, Sûs´sĭstinnako, Ût´sĕt, and the sun, the extra bunches of plumes
being tied pendent to those already attached to the hä´chamoni for
Sûs´sĭstinnako, Ût´sĕt, and the sun.
Public-domain text, read in full here on John Shaqi.
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