The Sia: (1894 N 11 / 1889-1890 (pages 3-158))Stevenson, Matilda Coxe
History
The Sia: (1894 N 11 / 1889-1890 (pages 3-158))
Stevenson, Matilda Coxe
Zia Indians
of all the cult societies.) The woman took her seat on the north side
of the room, near the altar, the little girl sitting opposite to her on
the south side.
[Illustration: Bureau of Ethnology. Eleventh Annual Report PLate XIX
ALTAR OF GIANT SOCIETY, PHOTOGRAPHED DURING CEREMONIAL.]
The ho´naaite and the ti´ämoni (the latter’s position as ti´ämoni
has nothing whatever to do with his relations in the cult societies
in which he holds membership) wore white Tusayan cotton breechcloths
elaborately embroidered in bright colors; the vicar’s was dark blue and
the others white cotton; each man held two eagle plumes and a gourd
rattle in the left hand. The woman and little girl wore their ordinary
dresses, the high-neck calico gowns being omitted, and they held a
turkey wand tipped with fluffy eagle plumes dyed a lemon color, in
either hand.
The vicar gave a pinch of meal to the ho´naaite from the pottery meal
bowl by the altar, who without rising from his seat sprinkled the
altar. The song then opened to the accompaniment of the rattle, which
had been transferred to the right hand, the eagle plumes still being
held in the left, and keeping time with the rattle. Each stanza closed
with a short and rapid shake of the rattle. (The writer noticed in the
ceremonials of the cult societies of the Sia the absence of the pottery
drum, which is such an important feature with the Zuñi and Tusayan.)
With the commencement of the ritual the men from either end of the line
moved to the fireplace, and lifting ashes with their plumes, deposited
them before the altar and north and south of the meal line, and after
dancing and gesticulating for a moment or two they again lifted ashes
and sprinkled toward the altar, the under side of the plume held in
the left hand being struck with the one held in the right; again
lifting ashes one sprinkled to the north and the other to the south,
and passing down on either side of the meal line they sprinkled to
the west, and crossing they passed up the line and when midway one
sprinkled to the north, the other to the south; again dipping ashes
they sprinkled to the zenith and with more ashes they sprinkled to the
nadir. This sprinkling of the cardinal points was repeated four times,
and the men then returned to their seats. The second man from the north
end of the line coming forward danced while the others sang to the
accompaniment of the rattle, each succeeding stanza following in quick
succession, the dancer now and then varying the monotony of the song
by calling wildly upon the cloud people to come and water the earth.
The woman and child waved their wands to the rhythm of the song; the
woman who held a sick infant much of the time occasionally fell asleep,
but she was awakened by the vicar who sat near her, passing his eagle
plumes over her face. Whenever the infant slept it was laid upon a
sheepskin, seemingly unconscious of the noise of the rattle and song.
Public-domain text, read in full here on John Shaqi.
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