In the moment's lull, the butler presented a yellow telegram on a shiny, Sheffield tray, and the Hostess slipped her pink fingers rustlingly through the envelope and brightened instantly. "Oh, here's a surprise for you, Chloe," she called to the Woodland Girl. "Peter is coming over to-night to see you." Like a puckering electric tingle the simple announcement seemed to run through the room, and a little wise, mischievous smile spread from face to face among the guests. In another instant everybody turned and peeped at the Woodland Girl, and the Woodland Girl felt her good cool, red blood turn suddenly to bubbling, boiling water, and steam in horrid, clammy wetness across her forehead and along the prickling palms of her hands, and the Journalist laughed right out loud, and the whole green, definite room swam dizzily like the flaunting scarlet messiness of a tropical jungle. Every nook and corner of the house, indeed, was luxuriously heated, but when Adele Reitzen came sauntering back to her seat, pungent around her, telltale as an alien perfume, lurked the chill, fresh aroma of the wintry, blustering street. Only the country girl's smothering lungs noted the astonishing fact. Like a little caged animal scenting the blessed outdoors, her nostrils began to crinkle, and she straightened up with such abrupt alertness that she loomed to Adele Reitzen's startled senses like the only visible person at the table, and for just the fraction of a heart-beat the two girls fathomed down deep and understandingly into each other's eyes, before Adele Reitzen fluttered her white lids with a little piteous gesture of appeal. Breathlessly the Woodland Girl turned to the Journalist, and touched his arm. "New York _is_ interesting, isn't it!" she stammered. "I've decided just this minute to stay another week." "Oh, ho," said the Journalist. "So you love it better than you did an hour ago?" "No!" cried the Woodland Girl. "I love it worse. I love it worse every moment like a--ghost story, but I'm going to stick it out a week longer and see how it ends. And I've learned one clue to New York's plot this very night. I've learned that most every face is a 'haunted house.' The mouths slam back and forth all the time like pleasant doors, and the jolliest kind of speeches come prancing out, and all that--but in the eyes ghosts are peering out the windows every minute." "Cheerful thought," said the Journalist, taking off his glasses. "Who's the ghost in my eyes?" The Woodland Girl stared at him wonderingly. "The ghost in your eyes?" she blundered. "Why--I guess--it's 'the patient girl at home' whom you asked to wait 'even another year.'" Like two fever spots the red flared angrily on the Journalist's cheek bones. Not even the Journalist spoke to her again.