The Sick-a-Bed Lady: And Also Hickory Dock, The Very Tired Girl, The Happy-Day, Something That Happened in October, The Amateur Lover, Heart of The City, The Pink Sash, Woman's Only BusinessAbbott, Eleanor Hallowell
General
The Sick-a-Bed Lady: And Also Hickory Dock, The Very Tired Girl, The Happy-Day, Something That Happened in October, The Amateur Lover, Heart of The City, The Pink Sash, Woman's Only Business
Abbott, Eleanor Hallowell
Fiction; Short stories
It was a good night for four friends to be housed together in a red, red
room, where the low ceiling brooded over you like a face and the warped
floor curled around you like the cuddle of a hand. A living-room should
always be red, I think, like the walls of a heart, and cluttered, as
Alrik's was, with every possible object, mean or fine, funny or
pathetic, that typifies the owner's personal experience.
Yet there are people, I suppose, people stuffed with arts, not hearts,
who would have monotoned Alrik's bright walls a dull brain-gray, ripped
down the furs, the fishing-tackle, the stuffed owls, the gaudy
theatrical posters, the shelf of glasses, the spooky hair wreaths, the
really terrible crayon portrait of some much-beloved ancient grandame;
and, supplementing it all with a single, homesick Japanese print,
yearning across the vacuum at a chalky white bust of a perfect stranger
like Psyche or Ruskin, would have called the whole effect more
"successful." Just as though the crudest possible room that represents
the affections is not infinitely more worth while than the most esoteric
apartment that represents the intellect.
There were certainly no vacuums in Alrik's room. Everything in it was
crowded and scrunched together like a hard, friendly hand-shake. It was
the most fiercely, primitively sincere room that I have ever seen, and
king or peasant therefore would have felt equally at home in it. Surely
no mere man could have crossed the humpy threshold without a blissful,
instinctive desire to keep on his hat and take off his boots. Alrik knew
how to make a room "homeful." Alrik knew everything in the world except
grammar.
Red warmth, yellow cheer, and all-colored jollity were there with us.
Faster and faster we talked, and louder and louder we laughed, until at
last, when the conversation lost its breath utterly, Alrik jumped up
with a grin and started our old friend the phonograph. His first choice
of music was a grotesque _duo_ by two back-yard cats. It was one of
those irresistibly silly minstrel things that would have exploded any
decent bishop in the midst of his sermon. Certainly no one of us had
ever yet been able to withstand it. _But now no bristling, injuriated
dog jumped from his sleep and charged like a whole regiment on the
perfectly innocent garden._ And the duo somehow seemed strangely flat.
"Here is something we used to like," suggested Alrik desperately, and
started a splendid barytone rendering of "Drink to Me Only with Thine
Eyes." _But no high-pitched, mocking tenor voice took up the solemn
velvet song and flirted it like a cheap chiffon scarf._ And the Pretty
Lady rose very suddenly and went out to the kitchen indefinitely "for a
glass of water." It was funny about the Blue Serge Man. I had not liked
him overmuch, but I missed _not-liking-him_ with a crick in my heart
that was almost sorrow.
Public-domain text, read in full here on John Shaqi.
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