Like a lost soul pursued by a legion of demons, Ross Douglas fled from
the cabin, leaving the door ajar. With bowed head and drawn features,
he sped into the forest back of the house, and hurried on and on,
taking no heed of his course. The hound wonderingly followed him. Ross
had forgotten his hunger, his fatigue—everything but the fact that Amy
was gone. Wild fancies beset his brain. Mocking voices gibbered in his
ears; evil faces peeped at him from the surrounding gloom. At last, from
sheer exhaustion, he dropped upon the earth and pillowed his aching head
upon his folded arms. Duke crouched at his master’s side and anxiously
observed his every movement.
“Gone—gone!” the young man moaned in agony of spirit. “And whether true
or false I don’t know. Gone—What can it mean? Amy! Amy! Night after
night during my dreary captivity, I dreamed of you. And now you’re not
here. But I’m wronging you, dear girl—of course I am. You’ve been forced
to leave—you wouldn’t have gone otherwise. Then I have lost you forever!
God help me to bear my bitter disappointment!”
Far into the night, he lay moaning—striving to reconcile himself to the
inevitable, to regain control of himself. Worn out at last, he fell into
a deep sleep—the sleep of mental and physical exhaustion.
At daylight he awoke, and stiffly arose to his feet. His face was pale
and haggard; his lips were set and determined. Shouldering his rifle and
calling to his dog, he retraced his steps toward the river. Again he
reached the clearing surrounding the deserted cabin. In the gray light
of the morning, the scene was more barren, more oppressive, than when
softened by the shades of night. He shuddered and involuntarily turned
his head, as he passed the desolate habitation. With quick, firm steps,
he hurried along the path leading down to the shore. A half hour later,
he had recrossed the stream and was approaching the village.
The sun was just rising. He saw the blue smoke ascending heavenward
and heard the prattle of children. Emerging from the forest, he stood
for a moment drinking in the beauties of the homely, animated scene.
Oddly-garbed figures, bearing axes, hoes, and other implements of
husbandry were hurrying toward the woods and fields; buxom matrons and
comely maids were bustling hither and thither. Another day had dawned;
and the industrious hive was astir.
A tall, robust settler approached the border of the woodland, where Ross
was standing. The young man stepped from the shadow of the overhanging
boughs—and he and the villager were face to face. With a glad cry of
recognition, the latter sprang forward, exclaiming:
“Ross Douglas, as I’m alive! Give us y’r hand, my lad!”
The two warmly clasped hands, and Ross replied:
“Yes, Amos Pritchard, it’s I—Ross Douglas. Are you glad to see me?”
Public-domain text, read in full here on John Shaqi.
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