That he was bewildered by the procession goes without saying. Where
had they been, and how in the name of wonder could the woman's
presence be accounted for? The polite postmaster must have thought
that the Englishman was very dense that morning. Several times he
explained fully that the two desired seats in the diligence must be
reserved from Chiavenna. As many times did Spencer repeat the
information without in the least seeming to comprehend it. He spoke
with the detached air of a boy in the first form reciting the fifth
proposition in Euclid. At last the postmaster gave it up in despair.
"You see that man there?" he said to a keenly interested policeman
when Spencer strolled away in the direction of the village. "He is of
the most peculiar. He talks German like a parrot. He must be a rich
American. Perhaps he wants to buy a diligence."
"_Wer weiss?_" said the other. "Money makes some folk mad."
And, indeed, through Spencer's brain was running a Bedlamite jingle,
a triolet of which the dominant line was Bower, Stampa, and Millicent
Jaques. The meeting of Bower and Stampa was easy of explanation. After
the guide's story of the previous evening, nothing but Stampa's death
or Bower's flight could prevent it. But the woman from the Wellington
Theater, how had she come to know of their feud? He was almost tempted
to quote the only line of Moliere ever heard beyond the shores of
France.
Like every visitor to the Maloja, he was acquainted with each of
its roads and footpaths except the identical one that these three
descended. Where did it lead to? Before he quite realized what he was
doing, he was walking up the hill. In places where the sun had not yet
caught the snow there was a significant trail. Bower had come and gone
once, Stampa, or some man wearing village-made boots, twice; but
the single track left by Millicent's smart footwear added another
perplexing item to the puzzle. So he pressed on, and soon was gazing
at the forlorn cemetery, with its signs of a furious struggle between
the gateposts, the uncovered grave space, and Millicent's track round
two corners of the square built wall.
It was part of his life's training to read signs. The mining engineer
who would hit on a six-inch lode in a mountain of granite must combine
imagination with knowledge, and Spencer quickly made out something of
the silent story,--something, not all, but enough to send him in
haste to the hotel by the way Millicent had arrived on the scene.
"Guess there's going to be a heap of trouble round here," he said to
himself. "Helen must be recalled to London. It's up to me to make the
cable hot to Mackenzie."
Public-domain text, read in full here on John Shaqi.
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