The Silent Shore: A RomanceBloundelle-Burton, John
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The Silent Shore: A Romance
Bloundelle-Burton, John
English fiction -- 19th century
"What can be the mystery concerning your garden? A mystery that is a
double one, because it brings your house, of all houses in London,
into connection with the murder of the very man who, at the moment,
was the actual owner of it? That is inexplicable!"
"It is," Penlyn said, "inexplicable to every one. But the Señor tells
us that when we know what he knows, and when he has brought the
murderer to bay, we shall see that it is no mystery at all."
CHAPTER XVII.
Although the Señor Guffanta had not, as yet, in answer to many
questions put to him, been able to say positively that he was on the
immediate track of the murderer of Walter Cundall, he still continued
to inspire confidence in those by whom he was surrounded; and it had
now come to be quite accepted amongst all whom he met at Occleve House
that, although he was working darkly and mysteriously, he was in some
way nearing the object he had in view. It may have been his intense
self-confidence, the outward appearance of which he never allowed to
fail, that impressed them thus, or the stern look with which he
accompanied any words he ever uttered in connection with the assassin;
or it may have been the manner he had of making inquiries of all
descriptions of every one who had known anything of the dead man, that
led them to believe in him; but that they did believe in him there was
no doubt.
In the time he had at his disposal, after transacting any affairs he
might have to manage for the merchant who had appointed him his agent
in London, he was continually passing from one spot to another,
sometimes spending hours at Mr. Cundall's house in Grosvenor Place,
and sometimes a long period of time each day at Occleve House; but to
no one did he ever say one word indicative of either success or
failure. And, when he was alone in either of these places, his
proceedings were of a nature that, had they been witnessed by any one,
would have caused them to wonder what it was that he was seeking for.
He would study attentively every picture that was a portrait, whether
painting or engraving, and for photograph albums, of which there were
a number in both houses, he seemed to have an untiring curiosity. He
would look them over and over again, pausing occasionally a long time
over some man's face that struck him, and then would turn the leaf and
go on to another; and then, when he had, for the second or third time
exhausted one album, he would take up another, and again go through
that.
Public-domain text, read in full here on John Shaqi.
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