The Silent Watchers: England's Navy during the Great War: What It Is, and What We Owe to ItCopplestone, Bennet
History
The Silent Watchers: England's Navy during the Great War: What It Is, and What We Owe to It
Copplestone, Bennet
Great Britain. Royal Navy; World War, 1914-1918 -- Naval operations
“There was nothing much in the first part,” went on the Maker. “Any of
us could have done it. His pursuit of the German battle cruisers up to
their junction with the High Seas Fleet was a reconnaissance in force,
which he was able to carry through without undue risk, because he had
behind him the Fifth Battle Squadron. His change of course then through
sixteen points was the only possible manœuvre in order to bring his
fleet back towards Jellicoe and to lead the Germans into the trap
prepared for them. So far Beatty had done nothing to distinguish him
from any competent fleet leader. Where he showed greatness was in not
diverging by a hair’s breadth from his plans after the loss of the
_Indefatigable_ and the _Queen Mary_. Mind you, these losses were wholly
unexpected, and staggering in their suddenness. He had lost these fine
ships while fighting battle cruisers fewer in numbers and less powerful
in guns than his own squadrons. A weaker man might have been shaken in
nerve and lost confidence in himself and his ships. But Beatty did not
hesitate. Although he was reduced in strength from six battle cruisers
to four only he dashed away to head off the Germans as serenely as if he
had suffered no losses at all. And his splendid dash had nothing in it
of recklessness. All the while he was heading off the Germans he was
manœuvring to give himself the advantage of light and to avoid the
dropping shots which had killed his lost cruisers. All the while he kept
between the Germans and Jellicoe and within touch of his supporting
squadron of four Queen Elizabeths. Had he lost more ships he could at
any moment have broken off the action and, sheltered by the massive
Fifth B.S., have saved what remained. As a mixture of dash and caution I
regard his envelopment of the German line, after losing the _Queen Mary_
and _Indefatigable_, as a superb exhibition of sound battle tactics and
of sublime confidence in himself and his men. But I wish that he would
not wear his cap on one side or talk so much. He has modified both these
ill-practices since he became Commander-in-Chief. That is one comfort.”
“Nelson was a poseur,” said I, “and as theatrical as an elderly and ugly
prima donna. He posed to the gallery in every action, and died, as it
were, to the accompaniment of slow music. It was an amiable weakness.”
“Jellicoe doesn’t pose,” growled the Maker.
“Jellicoe hates advertisement,” I observed. “Whenever he used to talk to
the gangs of newspaper men who infested the Grand Fleet, he always
implored them to spare his own shrinking personality. It is a matter of
temperament. Jellicoe is a genuinely modest man; Beatty is a vain one.
They form a most interesting contrast. Life would be duller without such
contrasts. One could give a score of examples from military and naval
history of high merit allied both to modesty and vanity.”
Public-domain text, read in full here on John Shaqi.
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