The Silver Domino; Or, Side Whispers, Social and LiteraryCorelli, Marie
General
The Silver Domino; Or, Side Whispers, Social and Literary
Corelli, Marie
English essays -- 19th century; Literature -- Criticism and interpretation; Satire
question of suicide--it is a morbid taste, and a book dealing with it
in any powerful or striking manner would be quite tabooed from the
middle-class family circle, especially in the provinces. A forgery
might be introduced, if the forger turned out to be a manly hero in the
end and properly repentant--and a little (the pious publisher would say
"a leetle") illicit love would not be objectionable--in fact, it might
be made highly saleable if a curate and a housemaid were the guilty
parties, and there were a child born who turned out to be the heir to
five millions, and the erring curate set things right in the usual
thirty-one-and-sixpenny way. But nothing should be drawn too strong;
you understand? no luscious colouring of any sort--keep the imagination
well in check--tint the canvas grey--and make the book one that will be
bought by stout, moral-minded parents, for slim, no-minded young women,
and it is sure of a sale--sure! And thus the pious publisher pleasantly
adviseth, the while the heart of the listening author sinks lower
and lower, and his soul sickens, gasping for the strong, broad eagle
freedom of flight, which while he works for a pious publisher never
will be his.
It is a curious fact, but the pious publisher apparently possesses a
very naïve, innocent, and undefiled nature. He does not know the world
at all, or if he does, he has no idea of its wickedness. When he is
told of some dreadful social scandal he does not believe it--dear, dear
no! he cannot believe it. He is a round, paunchy man, is the pious
publisher, bald-headed, clean-shaven, with an eminently respectable
expression of countenance, and an ostentatious assertion of honesty in
the very set of his clothes. He has a soft voice and a conciliating
smile, and he gets on best with women authors. He tells them first how
well they are looking--his next step is to call them "my dear." They
are frequently much touched by this, and in the yielding softness of
their hearts, forget to nail him down to "terms." Even the fiercest,
ugliest "blue-stocking" that ever lived is conscious of a nervous quiver
through the iron fibres of her soul, when the fat, unctuous, kindly,
pious publisher, unawed by her stem features, says "My dear." There is
a delicate something in his tone which pleasantly persuades her that,
after all, it is possible she may be good-looking. Unconsciously she
relaxes in severity, and he drives his bargain home with such sweet
firmness as to entirely succeed in having his own way--a way which,
whether it lead to advantage or loss, she, poor "blue," is generally
too weak to dispute. "My dear" is a phrase that will not work on the
minds of men authors of course, so the pious publisher, when he has
to do with the "virile" sex, substitutes "My boy!" and accompanies
this epithet with a hearty, encouraging clap on the shoulder. When
the author in question is too old and frail (as well as too reduced
to misery by the machinations of pious publishers) to be impressed by
Public-domain text, read in full here on John Shaqi.
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