The Silver Domino; Or, Side Whispers, Social and LiteraryCorelli, Marie
General
The Silver Domino; Or, Side Whispers, Social and Literary
Corelli, Marie
English essays -- 19th century; Literature -- Criticism and interpretation; Satire
be discovered reading poetry under a shady tree what time the bachelor
curate of the parish passeth by. All the same, I, who am a Nobody,
decline to consider either Morris or Arnold poets. They are excellent
verse-compilers though, and suit the tastes of those who do not care
about either originality or inspiration.
I am nothing if not eccentric, and so I am disposed to place one
Alfred C. Calmour among the poets. He has published no poems--he has
only produced "poetical" plays, failures all, save "The Amber Heart,"
and he has been generally "sent to the right about" by persons with
infinitely less brain than himself. It is curious to observe what spite
and meanness waken in the manly breasts of certain of his fellows at
the mere mention of his name. I spoke in praise of "The Amber Heart" on
one occasion to a critical brother, and he at once said--"All filched
out of Wills's waste-paper basket; he was Wills's secretary." "What
of 'Cyrene'?" I asked. "Oh, I don't know anything about 'Cyrene'; but
if there's anything good in it, depend upon it, it is stolen from
Wills." I relapsed into silence, for I never thought and never shall
think anything of Wills, whereas I do think something of Calmour. He
is writing a drama, I hear, on "Dante and Beatrice," and I confess to
anticipating it with intense interest. I want him to do as my dear
friend Oscar Wilde has done--pulverise his enemies by a big success.
And why? Because I hate to see a hard-working man "sat upon." And
Calmour does work hard, lives hard too, and never complains or "girds"
at fate, wherefore I venture to prophecy fame for him one of these
days. I have been assured he is conceited. I have never found him
so. Suppose he were, is conceit a singular fault in authors? Are we
to believe that they are more boastfully disposed than actors, for
instance?
"What do you think of Calmour?" I asked E. S. Willard on one occasion,
when, in all the grave consciousness of "looking" _Judah_ to the
life, he stood beside me sipping convivial tea in Wilson Barrett's
drawing-room.
"Think of Calmour?" he replied, with an inimitable air of
self-sufficiency. "I never think of Calmour!"
Public-domain text, read in full here on John Shaqi.
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