Authors -- Fiction; Canadian fiction; Impostors and imposture -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction
"How you startled me!" she gasped, growing calmer as she spoke. Then she
shook her white skirts out and sat up more decorously in the chair. "You
must promise me never to do it again," she said softly. "It's heredity
with me, I think, for my old mammy nurse once told me it was a fright
that really killed my mother. You'll promise, won't you?"
She looked at him with solemn eyes. The gray twilight fell across her
face and melted into the gold of her hair. Her bottle-green gown seemed
black in the dusk, and her pale features, freighted with an elusive and
wistful pathos, seemed to Hartley, in that minute of fleeting but vivid
impression, like the face of some sweet lady of forgotten centuries
gazing out of the gloom of an old canvas. It was a face that held him
musingly spellbound, in which he could see and dream of things that were
not there, as in a fire by night or in a fountain by day.
He dropped on his knees beside her and caught her hands. She could see
the sudden flame of tumultuous love and of desire that burned through
him, and she drew away, strangely, almost in terror.
"No, no!" she cried in a low voice. "Not now! Not here!"
She pressed away from him, as from a danger, though on his face was
nothing but tenderness and pleading. She shrank from him hesitatingly,
as though the cup of devotion that he held up to her was something too
costly for her to taste.
A hurrying and startled chambermaid turning on the light brought them
back from that garden of enchantment into which youth can wander but
seldom. There was nothing left for them to do but walk soberly down
through the long halls of the quiet house to the library once more. Yet
all the while Cordelia seemed to be fighting some silent and inward
battle, to be swayed by some great conflict of emotion that trampled
from her the many long-thought-of things she had to say, as cavalry
tramples a field once golden with wheat.
She was silent and restless and nervous until Hartley gathered up the
scattered pages of The Unwise Virgins and put them in order on the
library table. Then she looked into his eyes and murmured tenderly, and
under the stress of a sudden impulse:
"I'm proud of you, so proud of you, my big boy!"
He looked down into her face--into her face, that he felt could change
like water. It was dignified, glorified by a light that he had seldom
seen on a woman's countenance, and it left him happy once more. The
artist in him, receiving its dole, elbowed the man in him slowly aside.
"Then it _will_ do?" he asked.
"It is all strength and all beauty," she said simply. Then she added in
another voice, "You have made me very humble."
She sighed pitifully as she looked at the pile of written pages.
"I have only imitated you," he declared.
"Imitated me?" she echoed.
"Yes. All along it was The Silver Poppy that was my model--that I tried
to follow from first to last."
Public-domain text, read in full here on John Shaqi.
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