Authors -- Fiction; Canadian fiction; Impostors and imposture -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction
My astral messenger then turned her eyes
In sad tranquillity unto that night
Wherein the temple of the summit lies,
And spake unto my ear:
"'Tis more the fight
Than all the idle guerdons to be won;
It is the worship though the gods be mute;
So keep thou still thy face unto the sun,
Since art is not the goal, but the pursuit."
JOHN HARTLEY, "The Goddess Speaks."
Art is the china of sentiment packed in the sawdust of sense.--"The
Silver Poppy."
"How would you like to make two hundred and fifty dollars this
afternoon?" asked Cordelia calmly, as she stood before Hartley,
comfortably muffled in her new chinchilla hat and coat.
"Oh, don't tempt me," he laughed, as he deferentially enthroned her in
that great green-backed library chair, which by perhaps its mere
voluminous somberness always seemed to touch her strangely into a new
youth.
"But what would you do for it?" she asked teasingly, yet with a tacit
seriousness of mind, for she felt that his new manner of life was more
and more bringing about the necessity for a larger income.
"Do for it? I should be ashamed to say," he laughingly confessed,
wondering at the troubled brow and the cold, judicial sobriety of her
eyes.
She handed him a typewritten note, waiting in silence until he had
finished reading it, and had looked up at her with an inquiring glance.
The letter was a hastily written request from the editorial office of
one of New York's most variedly sensational newspapers, urgently asking
for a few hundred words from the author of The Silver Poppy on the
Influence of War. The newspaper in question had of late essayed to carry
on what had become a somewhat heated controversy as to the relation
between war and religion, while its eloquent young editor daily
expounded his conviction that in the present corrupt condition of
mankind war was not only quite reconcilable with true Christianity, but
was actually a remedial agent, tending toward progress and civilization.
He conceded that it might be an evil, yet was not evil.
"Now let me explain," broke in Cordelia. "This afternoon I suddenly
remembered that you had just the thing they wanted--you brought it up
and read it to me the other Sunday after we'd had dinner at the Casino."
He winced at the little irony of accident, yet remembering consolingly
that even a Horace had framed his bucolic idyls sipping Falernian in
citied ease within a stone's throw from the Palatine, he waited in
silence for her to continue.
"I mean those lines, of course--I think you called them The Need of
War--where you say collision is a law of progress and all life is
warfare and that we're perpetually fighting, although we never dream it,
and even our bodies themselves are eternal battle-grounds."
"But that thing would never do," he cried in astonishment.
Public-domain text, read in full here on John Shaqi.
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