What a pity to go through the houses of a city, the cities of a country, the countries of a vast continent, and encounter everywhere certain forms, identical, inevitable, exasperating by their repetition! How esthetics would gain by more simplicity! Instead of this luxury in job lots, all these decorations, pretentious but vapid from iteration, we should have an infinite variety; happy improvisations would strike our eyes, the unexpected in a thousand forms would rejoice our hearts, and we should rediscover the secret of impressing on a drapery or a piece of furniture that stamp of human personality which makes certain antiques priceless. Let us pass at last to things simpler still; I mean the little details of housekeeping which many young people of our day find so unpoetical. Their contempt for material things, for the humble cares a house demands, arises from a confusion very common but none the less unfortunate, which comes from the belief that beauty and poetry are within some things, while others lack them; that some occupations are distinguished and agreeable, such as cultivating letters, playing the harp; and that others are menial and disagreeable, like blacking shoes, sweeping, and watching the pot boil. Childish error! Neither harp nor broom has anything to do with it; all depends on the hand in which they rest and the spirit that moves it. Poetry is not in things, it is in us. It must be impressed on objects from without, as the sculptor impresses his dream on the marble. If our life and our occupations remain too often without charm, in spite of any outward distinction they may have, it is because we have not known how to put anything into them. The height of art is to make the inert live, and to tame the savage. I would have our young girls apply themselves to the development of the truly feminine art of giving a soul to things which have none. The triumph of woman's charm is in that work. Only a woman knows how to put into a home that indefinable something whose virtue has made the poet say, "The housetop rejoices and is glad." They say there are no such things as fairies, or that there are fairies no longer, but they know not what they say. The original of the fairies sung by poets was found, and is still, among those amiable mortals who knead bread with energy, mend rents with cheerfulness, nurse the sick with smiles, put witchery into a ribbon and genius into a stew. * * * * *