The Sin of Monsieur Antoine, Volume 1 (of 2)Sand, George
General
The Sin of Monsieur Antoine, Volume 1 (of 2)
Sand, George
French fiction -- 19th century
A drawbridge, several dark posterns and a double encircling wall,
flanked by towers and bastions, the remains of which can still be seen,
made this fortress impregnable before the invention of cannon. And yet
almost nothing is known of the history of a place that was of such
importance in the wars of the Middle Ages.
A vague tradition attributes its construction to certain Saracen chiefs
who are said to have defended themselves there for a long while. The
frost, which is severe and of long duration in that region, accelerates
each year the destruction of those fortifications which cannon-balls
have shattered and years have reduced to dust. The great square donjon,
however, which has the aspect of a Saracen structure, still stands in
the centre, and, being undermined, threatens to fall at any moment, like
all the rest. Several towers, of which a single side only is standing,
planted upon cone-shaped points of rock, present the appearance of sharp
rocky peaks around which clouds of birds of prey scream incessantly.
The circuit of the fortress cannot be made without danger. In many
places there is no trace of a path, and the foot trembles on the brink
of precipices over which the water plunges headlong.
The approach of the enemy could be detected only from the top of the
towers of observation; for on a level with the lower portions of the
buildings and the summit of the mountain, the view was restricted by
other barren mountains. But to-day there are gaps in their rocky sides,
patches of fertile soil where noble trees grow freely, often uprooted by
the rising of the waters when they have reached a considerable height.
A few goats, less wild than the wretched children who guard them, cling
to the ruins and climb fearlessly over the precipitous cliffs.
The whole spot is so magnificently desolate and so rich in contrasts
that the painter knows not where to stop. The imagination of the artist
would find a superfluity of material in that gorgeous panorama of terror
and menace.
Emile passed several hours there, plunged in the chaos of his
uncertainty and his projects. As he had left home at daybreak, he was
consumed by hunger, but paid no heed to the physical discomfort which
aggravated his mental distress. Stretched out upon a rock, he was
watching the vultures hovering overhead and thinking of the tortures of
Prometheus, when the distant sound of a man's voice, which seemed not
unfamiliar to him, sent a thrill through his whole being. He rose and
ran to the edge of the precipice and saw three persons descending the
path on the opposite side of the ravine.
A man in a blouse and broad-brimmed gray hat rode ahead, turning from
time to time to warn those who came behind to be careful; next to him
came a peasant leading a donkey by the bridle, and on the donkey was a
woman in a faded lilac dress and a simple straw hat.
Public-domain text, read in full here on John Shaqi.
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