The Sin of Monsieur Antoine, Volume 1 (of 2)Sand, George
General
The Sin of Monsieur Antoine, Volume 1 (of 2)
Sand, George
French fiction -- 19th century
"Oh no! he won't go to-night," cried Madame Cardonnet; "my dear boy will
not cause me such anxiety. To-morrow, at daybreak, if the river has
returned to its usual limits, will be all right."
"To-morrow then," said Emile, sorely vexed, but yielding to his mother;
"for it is very certain that I owe them a call to thank them for the
cordial hospitality I received."
"You certainly do," said Monsieur Cardonnet, "but that, I trust, will be
the extent of your relations with that family, with whom it does not
suit me to associate. Don't make your visit too long: to-morrow evening
I propose to talk with you, Emile."
At daybreak on the following morning, before his parents had risen,
Emile ordered his horse saddled, and riding across the still disturbed
and angry stream, started off at a gallop on the road to Châteaubrun.
VIII
GILBERTE
The weather was superb and the sun was rising when Emile found himself
opposite Châteaubrun. That ruin, which had seemed to him so
awe-inspiring by the glare of the lightning-flashes, bore now an
appearance of majesty and splendor which triumphed over the ravages of
time and the despoiler. The morning sunbeams bathed it in a rosy-white
glow and the vegetation with which it was covered bloomed
coquettishly--a fitting garment to be the virginal shroud of so noble a
monument.
There are in reality few châteaux with entrances so majestically
disposed and so commandingly situated as that of Châteaubrun. The
square structure which contained the gateway and the ogive peristyle is
of a beautiful design; the hewn stone used in the arch and in the frame
of the former portcullis is of imperishable whiteness. The façade of
the château stands at the top of the knoll, covered with turf and
flowers but built on the solid rock which ends in a precipice, at the
foot of which flows a torrential stream. The trees, rocks and patches of
greensward, scattered without order or regularity over these steep
slopes, have a natural charm which the creations of art could never
surpass. In the other direction the view is more extensive and more
grand: the Creuse, crossed diagonally by two dams, forms, among the
fields and the willows, two gentle and melodious waterfalls in its
lovely stream, sometimes so placid, sometimes so frantic in its course,
but everywhere clear as crystal and everywhere bordered by enchanting
landscapes and picturesque ruins. From the top of the large tower of the
château the eye can follow it as it winds in and out among the steep
cliffs and glides like a streak of quicksilver over the dark verdure and
among the rocks covered with pink heather.
Public-domain text, read in full here on John Shaqi.
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