The Sin of Monsieur Antoine, Volume 2 (of 2) and Leone LeoniSand, George
General
The Sin of Monsieur Antoine, Volume 2 (of 2) and Leone Leoni
Sand, George
French fiction -- 19th century
We were at Venice. The cold and the rain had driven the promenaders and
the masks from the square and the quays. We could hear naught save the
monotonous voice of the Adriatic in the distance, breaking on the
islands, and from time to time the shouts of the watch aboard the
frigate which guards the entrance to Canal Saint-George, and the
answering hail from the custom-house schooner. It was a fine carnival
evening inside the palaces and theatres, but outside, everything was
dismal, and the street-lights were reflected in the streaming pavements,
where the hurried footstep of a belated masker, wrapped in his cloak,
echoed loudly from time to time.
We were alone in one of the rooms of the old Nasi palace, to-day
transformed into a hotel, the best in Venice. A few candles scattered
about the tables, and the blaze on the hearth only partially lighted the
enormous room, and the flickering of the flame seemed to make the
allegorical divinities painted in fresco on the ceiling move to and fro.
Juliette was indisposed, and had refused to go out. Lying on a sofa and
half-covered by a fur cloak, she seemed to be dozing; and I walked back
and forth noiselessly on the thick carpet, smoking _Serraglio_
cigarettes.
We recognize in my country a certain state of the mind which is, I
think, peculiar to Spaniards. It is a sort of serious tranquillity which
does not exclude activity of thought, as among the Teutonic races and in
the cafés of the Orient. Our intellect does not grow dull during the
trances in which we are buried. When we walk to and fro with measured
step for hours at a time, on the same line of mosaics, without swerving
a hair's breadth and puffing away at our cigars--that is the time when
the operation that we may call mental digestion takes place most easily.
Momentous resolutions are formed at such times, and excited passions
calm down and give birth to vigorous acts. A Spaniard is never calmer
than when he is meditating some scheme; it may be sinister or it may be
sublime. As for myself, I was digesting my plan; but there was nothing
heroic or alarming about it. When I had made the circuit of the room
about sixty times and smoked a dozen cigarettes, my mind was made up. I
halted by the sofa, and said to my young companion, regardless of her
sleep:
"Juliette, will you be my wife?"
She opened her eyes and looked at me without answering. I thought that
she had not heard me, and I repeated my question.
[Illustration: _DON ALEO AND JULIETTE._
"_Juliette, will you be my wife?_"
_She opened her eyes and looked at me without answering. I thought that
she had not heard me, and I repeated my question._]
"I heard you very plainly," she replied in an indifferent tone--then
held her peace anew.
I thought that my question had displeased her, and my anger and grief
were terrible; but, from respect for Spanish gravity, I manifested
neither, but began to pace the floor again.
At the seventh turn Juliette stopped me, saying: "What is the use?"
Public-domain text, read in full here on John Shaqi.
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