The Sin of Monsieur Antoine, Volume 2 (of 2) and Leone LeoniSand, George
General
The Sin of Monsieur Antoine, Volume 2 (of 2) and Leone Leoni
Sand, George
French fiction -- 19th century
During the few days immediately preceding this, I had had the revelation
of a hitherto unknown pride. I felt it awake within me now, and,
impelled by an irresistible impulse, I determined to watch Leoni's
manner as he talked with my father in his counting-room. He was slow
about coming upstairs, and I rightly inferred that my father had
detained him, to show him, as was his ingenuous custom, the marvels of
his workmanship. I went resolutely down to the shop and entered,
feigning surprise to find Leoni there. My mother had always forbidden me
to enter the shop, her greatest fear being that I should be taken for a
shopgirl. But I sometimes slipped away to go down and kiss my poor
father, who had no greater joy than to receive me there. When I entered
he uttered an exclamation of pleasure and said to Leoni: 'Look, look,
monsieur le baron, what I have shown you amounts to nothing; here is my
loveliest diamond.' Leoni's face betrayed the keenest delight; he smiled
at my father with emotion and at me with passion. Never had such a
glance met mine. I became red as fire. An unfamiliar feeling of joy and
passion brought a tear to the brink of my eyelid as my father kissed me
on the forehead.
We stood a few seconds without speaking; then Leoni, taking up the
conversation, found a way to say to my father everything that was most
likely to flatter his self-esteem as an artist and tradesman. He seemed
to take extreme pleasure in making him explain the process by which
rough stones were transformed into precious gems, brilliant and
transparent. He said some interesting things on that subject himself,
and, addressing me, gave me some mineralogical information that was
within my reach. I was confounded by the wit and grace with which he
succeeded in exalting and ennobling our condition in our own eyes. He
talked to us about products of the goldsmith's art which he had seen in
his travels, and extolled especially the works of his compatriot
Cellini, whom he placed beside Michael Angelo. In short, he ascribed so
much merit to my father's profession and praised his talent so highly
that I almost wondered whether I was the daughter of a hard-working
mechanic or a genius.
My father accepted this last hypothesis, and, being charmed with the
Venetian's manners, took him up to my mother. During this visit, Leoni
displayed so much wit and intelligence, and talked upon every subject in
such a superior way that I was fairly fascinated as I listened to him. I
had never conceived the idea of such a man. Those who had been pointed
out to me previously as the most attractive were so insignificant and
vapid beside him that I thought I must be dreaming. I was too ignorant
to appreciate all Leoni's knowledge and eloquence, but I understood him
instinctively. I was dominated by his glance, enthralled by his tales,
surprised and fascinated by every new resource that he developed.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account