The Sin of Monsieur Antoine, Volume 2 (of 2) and Leone LeoniSand, George
General
The Sin of Monsieur Antoine, Volume 2 (of 2) and Leone Leoni
Sand, George
French fiction -- 19th century
She would put her head on my
shoulder; and when Leoni found me so, he called me his Virgin at the
Manger. He would toss me his album and dictate his verses, which were
almost always addressed to me. They were hymns of love and happiness
which seemed sublime to me, and which must have been sublime. I would
weep silently as I wrote them down; and when I had finished, "Well,"
Leoni would say, "do you think they are pretty bad?" At that I would
raise my tear-stained face to his; he would laugh and kiss me with the
keenest delight.
Then he would sit down on the sweet-smelling hay and read me poems in
other languages, which he translated with incredible rapidity and
accuracy. Meanwhile I was spinning in the half-light of the stable. One
must be familiar with the exquisite cleanliness of Swiss stables to
understand our choosing ours for our salon. It was traversed by a swift
mountain stream which washed it clean every moment, and which rejoiced
our ears with its gentle plashing. Tame pigeons drank at our feet, and
under the little arch through which the stream entered, saucy sparrows
hopped in to bathe and steal a few wisps of hay. It was the coolest spot
in warm days, when all the windows were open, and the warmest on cold
days, when the smallest cracks were stuffed with straw and furze. Leoni,
when tired of reading, would often fall asleep on the freshly-cut grass,
and I would leave my work to gaze at that beautiful face, which the
serenity of sleep made even nobler than before.
During these busy days we talked little, although almost always
together; we would exchange an occasional loving word or caress and
encourage each other in our work. But when the evening came, Leoni
became indolent in body and mentally active. Those were the hours when
he was most lovable, and he reserved them for the outpouring of our
affection. Fatigued, but not unpleasantly, by his day's work, he would
lie on the moss at my feet, in a lonely spot near the house, on the
slope of the mountain. From there we would behold the gorgeous sunset,
the melancholy fading away of the daylight, the grave and solemn coming
of the night. We knew the moment when all the stars would rise, and over
which peak each of them would begin to shine. Leoni was thoroughly
familiar with astronomy, but Joanne, too, knew that science of the
shepherds after his manner, and he gave the stars other names, often
more poetic and more expressive than ours. When Leoni had amused himself
sufficiently with his rustic pedantry, he would send him away to play
the _Ranz des Vaches_ on his reed-pipe at the foot of the mountain. The
shrill notes sounded indescribably sweet in the distance. Leoni would
fall into a reverie which resembled a trance; and then, when it was
quite dark, when the silence of the valley was no longer broken by aught
save the plaintive cry of some cliff-dwelling bird, when the fireflies
lighted their lamps in the grass about us and a soft breeze sighed
Public-domain text, read in full here on John Shaqi.
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