The Sin of Monsieur Antoine, Volume 2 (of 2) and Leone LeoniSand, George
General
The Sin of Monsieur Antoine, Volume 2 (of 2) and Leone Leoni
Sand, George
French fiction -- 19th century
I went all over the palace with childlike delight. It was one of the
finest in all Venice. The furniture and the hangings, fairly glistening
with newness, had been copied from antique models, so that the paintings
on the ceilings and the old-fashioned architecture harmonized perfectly
with the new accessories. The luxury that we bourgeois and people of the
North affect is so paltry, so vulgar, so slovenly, that I had never
dreamed of such elegance. I walked through the vast galleries as through
an enchanted palace; all the objects about me were of strange shapes, of
unfamiliar aspect; I wondered if I were dreaming, or if I were really
the mistress and queen of all those marvellous things. Moreover, that
feudal magnificence was a fresh source of enchantment to me. I had never
realized the pleasure or the advantage of being noble. In France people
no longer know what it is, in Belgium they have never known. Here in
Italy the few remaining nobles are still proud and fond of display; the
palaces are not demolished, but are allowed to crumble away. Between
those walls laden with trophies and escutcheons, beneath those ceilings
on which the armorial bearings of the family were painted, face to face
with Leoni's ancestors painted by Titian and Veronese, some grave and
stern in their long cloaks, others elegant and gracious in their black
satin doublets, I understood that pride of rank which may be so
attractive and so becoming when it does not adorn a fool. All this
illustrious environment was so suited to Leoni that it would be
impossible for me, even to-day, to think of him as a plebeian. He was
the fitting descendant of those men with black beards and alabaster
hands, of the type that Van Dyck has immortalized. He had their
eagle-like profile, their delicate and refined features, their tall
stature, their eyes, at once mocking and kindly. If those portraits
could have walked they would have walked as he did; if they had spoken,
they would have had his voice.
"Can it be," I said, throwing my arms about him, "that it was you, my
lord, Signor Leone Leoni, who were in that chalet among the goats and
hens the other day, with a pickaxe over your shoulder and a blouse on
your back? Was it you that lived that life for six months, with a
nameless, witless girl, who has no other merit than her love for you?
And you mean to keep me with you, you will love me always, and tell me
so every morning, as at the chalet? Oh, it is a too exalted and too
happy lot for me; I had not aspired so high, and it terrifies me at the
same time that it intoxicates me."
"Do not be frightened," he said, with a smile, "be my companion and my
queen forever. Now, come to supper; I have two guests to present to you.
Arrange your hair and make yourself pretty; and when I call you my wife,
don't open your eyes as if you were surprised."
Public-domain text, read in full here on John Shaqi.
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