The Sin of Monsieur Antoine, Volume 2 (of 2) and Leone LeoniSand, George
General
The Sin of Monsieur Antoine, Volume 2 (of 2) and Leone Leoni
Sand, George
French fiction -- 19th century
"Yes, provided that I do not keep it."
"That is understood. Here is a sketch of the note you must write him:"
"I know that you have found your wife again and that you love her. I did
not want you yesterday, you seemed too easy a conquest; to-day it seems
to me that it will be interesting to make you unfaithful; moreover, I am
anxious to know if your frantic desire to possess me makes you capable
of everything, as you boast. I know that you are to give a concert on
the water this evening; I will be in a gondola and will follow you. You
know my gondolier, Cristofano; be near the rail of your boat and leap
into my gondola as soon as you see it. I will keep you an hour, after
which I shall have had enough of you forever, perhaps. I want none of
your presents; I want only this proof of your love. This evening or
never."
La Misana thought the note very singular in tone and copied it
laughingly.
"What will you do with him when you have him in the gondola?"
"Set him ashore on the bank of the Lido and let him pass a long, cool
night there."
"I would gladly kiss you to show my gratitude," said the courtesan; "but
I have a lover whom I propose to love all the week. Adieu."
"You must place your gondolier at my orders," I said.
"To be sure; he is intelligent, discreet and strong; do with him as you
will."
XXIV
I returned to the hotel and passed the rest of the day reflecting deeply
upon what I was to do. Night came; Cristofano and the gondola were
waiting under my window. I dressed myself like a gondolier; Leoni's boat
appeared, decorated with colored lanterns, which gleamed like gems, from
the top of the masts to the end of every piece of rigging, and sending
up rockets in all directions in the intervals between the bursts of
music. I stood at the stern of the gondola, oar in hand; I rowed
alongside. Leoni was by the rail, in the same costume as on the night
before; Juliette was sitting among the musicians; she too wore a
magnificent costume, but she was downcast and pensive, and seemed not to
be thinking of him. Cristofano removed his hat and raised his lantern to
the level of his face. Leoni recognized him and leaped into the gondola.
As soon as he was on board, Cristofano informed him that La Misana was
awaiting him in another gondola near the public garden.
"What's that? why isn't she here?" he asked.
"_Non so_," replied the gondolier indifferently, and he began to row. I
seconded him vigorously, and in a few moments we had passed the public
garden. We were surrounded by a dense mist. Leoni leaned forward several
times and asked if we were not almost there. We continued to glide
smoothly over the placid surface of the lagoon; the moon, pale and
swathed in mist, whitened the atmosphere without lightening it. We
passed like smugglers the line which cannot ordinarily be passed without
a permit from the police, and did not pause until we reached the sandy
bank of the Lido, far enough away to be in no danger of meeting a living
being.
Public-domain text, read in full here on John Shaqi.
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