The Sin of Monsieur Antoine, Volume 2 (of 2) and Leone LeoniSand, George
General
The Sin of Monsieur Antoine, Volume 2 (of 2) and Leone Leoni
Sand, George
French fiction -- 19th century
Gilberte thereupon thought that she might hope to meet the carpenter as
he returned to Gargilesse, and she determined to go to wait for him on
the road. But, fearing that she might be seen and recognized loitering
about the park, she borrowed a fustian cape from Mère Marlot, on the
pretext that the air was a little cool and that she felt slightly
indisposed. She put the hood over her fair hair, and, thus enveloped,
walked in a straight line, gliding through the bushes like a fawn, to
the park gate opening on the Gargilesse road. There she hid beneath the
willows on the bank of the stream, not far from the spot where it ran
along the edge of the park. She noticed that the gate was still open, a
proof that Monsieur de Boisguilbault was not yet in the park; for as
soon as he stepped inside all the gates were carefully closed and
locked, and this uncivilized custom of the châtelain was well known
throughout the neighborhood.
This circumstance emboldened her, and she walked as far as the gate, to
try to see Jean Jappeloup. The roof of the chalet caught her eye; it was
very near. The path was in shadow and deserted.
Stealing cautiously forward, Gilberte, who was as light as a bird, could
fly in time, and, disguised as she was, need not fear being recognized.
Jean would be there of course, and if she found him alone she would
beckon to him and satisfy her frantic impatience to have news of Emile.
The chalet was open; there was no one inside; carpenter's tools were
lying about on the floor. Profound silence reigned everywhere. Gilberte
walked forward on tiptoe and placed on the table the package and the
letter she had brought. Then, as she reflected that objects of value
might be too much exposed in a place so ill guarded, she looked about,
placed her hand on a door which seemed to open into a closet, and,
noticing that the lock was removed, said to herself justly enough that
Jean was probably repairing it and would doubtless come and replace it,
and that there was nothing better for her to do than to place her
treasure in the hands of the most faithful of friends. But as she opened
the supposed closet to put the package inside, she found herself on the
threshold of a study, wherein everything was in disorder, facing a large
portrait of a woman.
Public-domain text, read in full here on John Shaqi.
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