The Singing Church: The Hymns It Wrote and SangLorenz, Edmund S. (Edmund Simon)
Religion
The Singing Church: The Hymns It Wrote and Sang
Lorenz, Edmund S. (Edmund Simon)
Hymns -- History and criticism
The minister who has given his hymnal the study that has been
suggested will wish to garner and organize the materials he has thus
won. He will proceed to make a little hymnal of his own by selecting a
given number of the hymns that appeal to him—say one hundred—in his
regular hymnal. This will constitute his inner hymnal to which from
time to time he will make additions.
These hymns will be marked in his own copy of the church hymnal, a
wide margined one, or an interleaved one, if it can be secured. As he
analyzes each one, finding the joints in its structure, he will
indicate the results by lines of division with the proper captions.
His dissection of the phrases will disclose more or less obscure
allusions needing explanation, like “Siloam’s pool,” “Mt. Nebo’s
lonely height,” “Gog and Magog,” “Ebenezer” and many others that
convey no meaning to the average mind. These should be underlined for
explanation. Some phrases are so suggestive, so packed with meaning,
that their value eludes the ordinary singer—for instance, the second
verse of Monsell’s “My sins, my sins, my Saviour.” These should be put
in quotation marks to remind the preacher to unpack by spirited
comment their wealth for the edification of his people.
Numbers referring to his card index or commonplace book will bring to
mind helpful facts about the hymn, or its writer, or illustrations
that will quicken both mind and heart. Enclosing a verse or verses in
brackets will mark those that can be omitted without wrecking the
symmetrical progress of the thought. That will eliminate the usual
thoughtless phrase, “We will omit the third verse.” If there is a
choice of tunes, the most practicable one can be indicated; or a tune
better known to the congregation elsewhere in the hymnal may be
suggested with its number.
Verses to be read by the congregation, or to be sung by the choir or
by a soloist, before being sung by the people may be starred. Changes
of force, or speed, may be marked _p._ for soft singing, or _f._ for
loud singing. A passage marked _rit._ will be retarded, or hurried if
marked _accel._ A repeat sign, _bis_, after a verse will suggest that
a verse may be profitably repeated. Scripture references will suggest
passages that can be used to emphasize the sentiment of the hymn, such
as Genesis 28:10-13, for the hymn, “Nearer, my God, to Thee.” _M_
before a verse may mark it as a memory verse to be sung with closed
hymnal. _P_ may indicate that it is a prayer, to be sung before the
long prayer. Dates connected with a hymn will show when it has been
sung, and so prevent its unduly frequent repetition from mere force of
habit. Every alert-minded minister will have methods and devices of
his own that should be recorded in connection with the hymns so
treated.
Public-domain text, read in full here on John Shaqi.
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