The Singing Church: The Hymns It Wrote and SangLorenz, Edmund S. (Edmund Simon)
Religion
The Singing Church: The Hymns It Wrote and Sang
Lorenz, Edmund S. (Edmund Simon)
Hymns -- History and criticism
Another practical use of the hymn that will prove very valuable is to
make those hymns that are didactic or meditative the occasion of
discussing for a few minutes the doctrines they express, and so to
teach, to bring back to memory, or to vitalize the articles of their
faith which average Christians are apt to forget. There are Christian
beliefs that do not call for elaborate discussion in a sermon, that
are best impressed by emotional treatment in connection with a hymn.
“Depth of mercy! can there be,” with a background of pure-minded
Charles Wesley’s consciousness of sin, will give an opportunity of
impressing the people with sin’s subtle and soul-destroying power.
“There is a fountain filled with blood” will be the basis of a very
short but a clear and tender exposition of the atonement made for sin
by Christ on the cross. That a person may be conscious of salvation,
of acceptance by God through Jesus Christ, will find fitting
explanation in an exposition of “Rock of Ages, cleft for me.” What
better opportunity for emphasizing the Christian’s dependence on
Christ could be afforded than a study of “Jesus, Lover of my soul”?
Our inability to understand the ways of God’s providences, and our
need of a faith that does not demand explanations, may well be
stressed in an analysis of “God moves in a mysterious way.” A score of
such hymn discussions at irregular intervals during the year would
prove illuminating, and help to remove the haze that prevents clear
definition in the minds of the people of the doctrines on which their
spiritual life must rest. Singing the hymn after such comments will
make it more effective and fasten the Christian teachings in the minds
of the hearers with links of steel.
V. HYMN SERMONS AND HYMN SERVICES
The versatile and adaptable preacher, full of resources, quick to take
advantage of unusual methods, will find the Song Sermon, or rather the
Hymn Sermon, a most attractive and impressive way of using hymns.
Instead of finding an appropriate proof text from the Scriptures for
each leading point of the discourse, search out a hymn, or a single
verse, expressing it in a lucid and emotional way and have it sung by
the congregation, by the choir, or by a soloist. Comment on the hymn
and its illustration, consonant with the development of the general
theme, will supply a new line of most interesting materials. Care must
be taken not to let the hymn hem the momentum of the sermon, but to
make it add to the tide of interest. There will be no time for playing
the tune or to find the hymn, while the preacher is silently waiting.
Close connection and sharp attack are absolutely essential. Such a
sermon will be sure to win a great hearing.[1]
Public-domain text, read in full here on John Shaqi.
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