The Singing Church: The Hymns It Wrote and SangLorenz, Edmund S. (Edmund Simon)
Religion
The Singing Church: The Hymns It Wrote and Sang
Lorenz, Edmund S. (Edmund Simon)
Hymns -- History and criticism
As has been incidentally suggested in the course of the illustrative
progress, no small importance is to be attached to the selection of
the tunes to be used with the hymns. The preacher cannot always afford
to trust the compiler of the hymnal which he uses. That learned
gentleman does not know what tune the preacher’s people can sing with
a given hymn to the best advantage. He has to meet the difficulty of
providing every hymn with an appropriate tune without having
well-known and effective tunes enough to go round; he cannot repeat
them over and over, but must use less popular tunes. Who shall judge
him harshly, therefore, if in this dilemma he occasionally follows his
own personal taste rather than the vaguely conceived needs of
miscellaneous congregations.
But the minister must study the tunes in his hymnal lest he limit his
song service to the small number he happens to know well. To use a
dozen or so tunes again and again will cut the nerve of musical
interest in his musical helpers and in his congregation as well.
Hence, it is the minister’s task to re-edit the hymnal in part,
remating hymns and tunes in order to secure the greatest results with
his own people. Nor need he suffer with a sense of presumption. The
important consideration is the results of the singing of hymns in an
effective way, not loyalty to his church hymnal at the expense of
those results.
_Chapter XXI_
THE ANNOUNCEMENT AND TREATMENT OF HYMNS
I. THE ANNOUNCEMENT OF HYMNS
It may seem quite superfluous to give any attention to the mere
announcement of hymns; but in many cases the spiritual success or
failure of the congregational song is determined there. It is
generally assumed that any one can announce a hymn and initiate its
singing, but probably the least successful work of ninety-nine out of
a hundred ministers is their management of the service of song in
their churches. The writer remembers one minister who would baldly
announce the number and then turn round and stare at the choir and
organist until they began to sing. The awkwardness and helplessness of
the man invariably produced a most unfortunate effect upon the
congregation. Many ministers announce the number and read the first
line. It makes no difference whether the first line is complete in
meaning or not; they have identified the hymn.
Like a great many others of their professional brethren, they used the
hymn perfunctorily as a traditionally necessary part of the service,
with which they really had little or nothing to do; that it has any
relation to the needs or the objects they have in view for the service
does not occur to them. The unpardonableness of an aimless sermon need
not be emphasized, but why should it be easier to forgive a preacher
for aimlessly selecting and announcing hymns?
Public-domain text, read in full here on John Shaqi.
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