The Singing Church: The Hymns It Wrote and SangLorenz, Edmund S. (Edmund Simon)
Religion
The Singing Church: The Hymns It Wrote and Sang
Lorenz, Edmund S. (Edmund Simon)
Hymns -- History and criticism
Recently the new rationalism and sensual materialism have again
submerged the religious life of Germany and the impulse to write hymns
has lost its urgency. Whether the shattering of the illusion of
world-wide power, and the sobering effect of its terrible losses of
men and of wealth, will bring Germany back to her religious senses
must be patiently awaited by those eager for her highest welfare. The
recrudescence of paganism and its threat of renewed striving after
world dominance need not blast this pious hope. God’s hand is still on
the tiller of the German national bark, and the heart of the German
people is not represented by the bulletins on the surface of its
current events, caused by the pride of nationalism in the shallow
vocal stratum that stridently claims the world’s attention.
In this hurried review of the development of the German hymn from
Luther to Spitta much that is interesting and profitable has been
omitted. But it is manifest that this German hymnody holds the supreme
place in the hymnody of the Christian Church in all ages and nations.
The reasons for this lie on the surface: the German people are a
singing people, and the instinct to sing their thoughts and feelings
is stronger than in any other race. Again, they did not lose two
centuries under the spell of Calvin’s devotion to the Hebrew Psalms,
as did Great Britain and America. In contrast with the Latin and Greek
hymnodies, it is the voice of the people, not the restrained
liturgical voice of the clergy.
The German hymnody is often ponderous and heavy, often tediously
prolix and dull, but at the heart of it is a profound realization of
the actualities of the Christian faith, and a responsiveness to its
appeals to the hearts of men, that one cannot find elsewhere to the
same extent.
_Chapter XIII_
METRICAL PSALMODY
I. CALVIN’S CONCEPTION OF CONGREGATIONAL SINGING
While Luther recognized the value of hymns as pre-eminent in his work,
he still left a large place for the Psalms, himself making some
admirable versions and inciting others to do the same. But there were
limits to his sympathy with an undue and merely formal emphasis of
them. He canceled the obligation of repeating the whole Psalter once a
week, instituted by Cardinal Quimonez, as “a donkey’s burden.” Luther
was a reformer, changing only what needed changing in order to secure
a deeper spirituality. Calvin and Zwingli were not reformers, but
re-creators, setting wholly aside all the liturgy, the ecclesiastical
organization, the clerical rules, and the distinctive doctrines of the
Roman church, and building up an entirely new church with no other
sanction than their interpretation of the Word of God.
Public-domain text, read in full here on John Shaqi.
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