"I have not seen him go out, sir."
"Not since you saw him come in?"
"Not since then, sir--no."
"About half-past seven he came in, I think? Yes, about half-past."
"Quite right, sir."
Again the odd gleam came into the doctor's eyes, as it had come when, by
one of his amazing leading questions he had learnt that Lawrence
Guthrie's father resided in Constantinople. The doctor mounted to the
first floor. He was about to ring the bell of No. 59b, when another idea
struck him. He descended and again addressed the porter.
"The Count must be resting. He does not reply. He has, of course,
discharged his servants?"
"Yes, sir. He leaves England next week."
"Ah, he is alone."
Upstairs once more.
He rang three times before the door was opened to him by a tall, slight
man, arrayed in a blue silk dressing-gown. He had a most pleasant face,
and wore his moustache and beard according to the latest Parisian mode.
He looked about thirty years of age, was fair, blue-eyed, and handsome.
"I am sorry to trouble you so late, Count," said the old doctor, in
perfect French; "but I think I can make you an offer for some, if not
all, of your collection."
He hunted, peering through a case which apparently contained some dozens
of cards, finally handing the Count the following:
ISIDOR LEVI
Fine Art Expert
_London and Paris._
Count de Guise hesitated, glanced at his caller, glanced at his watch,
cleared his throat--and still hesitated.
"If I approve," continued 'Isidor Levi,' "I will hand you a cheque on
the Credit Lyonnais."
The Count bowed.
"Enter, M. Levi. Your name, of course, is known to me."
Indeed it was a name familiar enough in art circles.
Dr. Lepardo entered.
The room into which the Count ushered him was most magnificently
appointed. The visitor's feet sank into the carpet as into banked moss.
Beautiful furniture stood about. Pictures by eminent artists graced the
walls. Statuettes, vases, busts, choice antiques, were everywhere. It
was the room of a wealthy connoisseur, of an aesthete whose delicacy of
taste bordered upon the effeminate. The doctor stared hard at the Count
without permitting the latter to observe that he did so. With his hands
thrust deep in the sack-like pockets of his inverness he drifted from
treasure to treasure--uninvited, from room to room--like some rudderless
craft. The Count followed. In his handsome face it might be read that he
resented the attitude of M. Levi, who behaved as though he found himself
in the gallery of a dealer. Suddenly, before a Van Dyck portrait, the
visitor cried:
"Ah, a forgery, m'sieur! Spurious."
Count de Guise leapt round upon him with perfect fury blazing in his
blue eyes. The veins had sprung into prominence upon his forehead, and
one throbbed--a virile blue cord--upon his left temple.
"M'sieur!"
He seemed to choke. His sudden passion was volcanic--terrible.
Dr. Lepardo, still peering, seemed not to heed him; then quickly:
Public-domain text, read in full here on John Shaqi.
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