They played until a little short of twelve o'clock. By this time, having
been additionally primed up with one or two Scotch whiskeys, Graham was
ready for anything, and it was then that Kenyon suggested that he should
take them to the famous studio. Graham jumped at the idea, falling, as
Kenyon knew that he would, into the little trap set for him. "We're
children in your hands, Graham," he said, with a subtle touch of
flattery. "Lead us into the vortex of art with the lid off. I'm most
frightfully keen to see this place and it'll be great fun for you, duly
protected, to find out whether the Papowsky has discovered whether you
were the Knight Errant who rescued one of her victims. Romance, old
boy--romance with a big R." And so Graham, more than a little unsteady
and with uproarious laughter, led the way.
When they arrived at the studio-apartment in Fortieth Street they found
the hall filled with people. It happened that Papowsky was giving an
Egyptian night and nearly all of the habitués were in appropriate
costumes. With the cunning of her species this woman knew very well that
few things appeal so strongly to a certain type of men and women as
dressing up,--which generally means undressing. The Japanese servant who
took their hats and coats welcomed Graham with oily and deferential
cordiality. "We are having a big night, sir," he said, with the peculiar
sibilation of his kind and with his broad, flat hands clasped together.
"It is Madame's birthday, sir. Yes, sir. You and the gentlemen will
enjoy it very much."
Peter and Kenyon followed Graham into the studio. Their curiosity,
already stirred by the sight of the men and women in the hall, was added
to by the Rembrandt effect of the high, wide room, whose darkness was
only touched here and there by curious faint lights. The buzz of voices
everywhere and little bursts of laughter proved that there were many
people present. As they went in, a powerful lime-light was suddenly
focused on the centre of the room and into this slid a string of young,
small-breasted, round-limbed girls. Led by one who contorted herself in
what was supposedly the Egyptian manner, they moved to and fro with bent
knees and angular gestures, and rigid profiles. Music came out of the
darkness,--the music of a string band with cymbals.
"Good Lord!" said Kenyon. "What an amazing mixture of exotic stinks!"
"Look out for your money," said Peter, with a touch of blunt
materialism.
Public-domain text, read in full here on John Shaqi.
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