"Don't see why you should try. It's pretty good dope, I guess." She
snuggled herself in between Graham and Kenyon, putting an arm round
each. She bent across Kenyon to examine Peter and gave an exaggeratedly
dramatic cry of surprise and admiration. "My God! It's a giant! Say,
dearie, you'd be the King of all the pussies, in a skin. All them dinky
little love-birds would hop round your feet and chirp. Oh, gosh, you'd
make some hit among the artists, sure!"
"Think so?" said Peter. He would have given a great deal for a pipe at
that moment, so that he could puff out great clouds of smoke as a
disinfectant.
"A gala night," said Graham.
"Sure. If the police were to make a raid to-night,--gee, there'd be a
fine list of names in to-morrer's papers!"
"Think they will?" asked Kenyon. "By Jove! I wish they would. Think of
seeing these people scuffling like frightened rabbits. It would be
epoch-making."
The girl turned a keenly interested eye on Kenyon and looked him over
with unabashable deliberation. "You've got a funny kind of accent," she
said. "What is it? English?"
It was the first time that Kenyon had ever been accused of speaking with
an accent. He was delighted. It appealed to his alert sense of humour.
He laughed and nodded.
"The giant ain't English, is he? Are you, dearie?"
"No," said Peter.
"That's fine. I guess I don't like the English much. They always strike
me as being like Americans, trying hard to be different."
"You don't dislike me, I hope? That would be a very bitter blow," said
Kenyon, tweeking her ear.
"Oh, you're a comic," she said. "You're all right. Is this your first
visit?"
"Yes. Have you been here long?" Kenyon asked the question carelessly, as
though to keep the ball moving. It was, as a matter of fact, the
beginning of his plan to disillusion Graham.
"Oh, I've been in the business ever since it started. Ask the kid, he
knows. Don't you, kid?"
"Rather," said Graham.
"I used to be in the chorus, but this is ther life."
"I suppose so," said Kenyon. "Variety, gaiety, art,--what more can any
girl desire?"
"Dollars," she said dryly. "And I make more here, by a long way."
"That's good. But,--but don't you get a little fed up? I mean it must be
hopelessly monotonous to be shut up in one place all the time."
"Don't know whatcher mean. Translate that, won't you?"
"He means never getting out," said Graham.
"Never getting out! I don't get you, Steve. Me and my sister get away
after the show, same as any other."
"What!" Graham was incredulous. It struck him that the girl was lying
for reasons of loyalty to her employer. He knew better.
"Oh, I see!" said Kenyon, leading her on carefully. "You don't live
here, then?"
"Live here? Of course I don't. I come about ten o'clock every night and
leave anywhere between three and four in the morning. Earlier if there's
nothing doing."
"Oh, I thought that the girls here are,--well, held up, kept here all
the time,--prisoners, so to speak."
Public-domain text, read in full here on John Shaqi.
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