I went to a theatre last night,--Wyndham's. I thought the play
was corking, but the leading actor--an ugly good-looking
fellow--wasn't trying a yard, and let it away down every time
he was on. Also he spent his time making jokes under his breath
to the other people to dry them up. No wonder the theatres are
in a bad way in London. There's no snap and ginger about the
shows except the ones of the variety theatres, where they
really do take off their coats for business. It's fine to hear
rag-times at these places, although they're as stale on our
side as if they had been played away back before the great
wind. By the way, I'm a bit anxious about Graham. His letters
have a queer undercurrent in them.
I'm going to the National Gallery, the British Museum and South
Kensington to-morrow, and in the evening I'm dining at the
Trocadero with eight men who were up at St. John's with me.
They're all working in London and hate it, after Oxford. It
seems odd to me not to be there myself and I miss it mighty
badly sometimes. All the same it's great to feel that one's a
man at last, with real work to do and that apartment waiting
for us to win. This is the last mail that I can catch before
sailing and so I just have to tell you once again, in case you
forget it, that I adore you and that if I don't see you on the
landing in little old New York among the crowd I shall sink
away like an India-rubber balloon with a pin in it. So long, my
dearest girl. All, all my love, now and forever.
PETER.
P. S. Do you think your father can be brought to like me
somehow or other?
Kiss this exact spot.
II
Public-domain text, read in full here on John Shaqi.
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