with his health, his self-respect and the whole of his future life.
To have seen the nervous way in which he dressed for dinner the next
evening, throwing tie after tie away with irritable cursing, would have
convinced the most casual observer of the fact that he stood in need of
a strong hand. His very appearance,--the dark lines round his eyes, the
unsteadiness of his hand,--denoted plainly enough the sort of life that
he was leading, but the short-sighted eyes of the Doctor in whose house
he lived missed all this, and there was no one except the little mother
to cry "halt" to this poor lad and, in her experience, of what avail was
she?
He drove--after having dined with three other Wall Street men at
Sherry's--to an apartment house on West Fortieth Street, little
imagining that fate had determined to put him to the test. Kenyon had
recommended him to try it. He had heard of it from Captain Fountain's
brother, who had called it "very hot stuff" in one of his letters,--the
headquarters of a so-called "Bohemian" set in which Art and gambling
were combined. It was run by a woman whose name was Russian, whose
instincts were cosmopolitan, and who had been shifted out of most of the
great European cities by the police. "The Papowsky," as she was called,
spoke several languages equally fluently. She was something of a judge
of art. She had an uncanny way of being able to predict success or
failure to new plays. She knew musicians when she saw them and only had
to smell a book to know whether it had excellence or not. Her short,
thin body and yellow skin, her black hair cut in a fringe over her eyes
and short all round like that of a Shakesperian page, her long, dark,
Oriental eyes and her long artistic hands were in themselves far from
attractive. It was her wit and sarcasm however and the brilliant way in
which she summed up people and things which made her the leader of those
odd people--to be found in every great city--who delight in being
unconventional and find excitement in a game of chance.
The apartment in which she held her "receptions" and entertainments was
unique. The principal room was a large and lofty studio, arranged like a
grotto with rocks and curious lights and secluded places where there
were divans. Here there was a dais, at the back of which there was an
organ, and a grand piano stood upon it in a French frame all over
cupids, and it was here that the most extraordinary exhibitions of
dancing were given by the Papowsky hand-maidens and others.
Public-domain text, read in full here on John Shaqi.
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