The Sir Roger de Coverley PapersSteele, Richard, Sir
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The Sir Roger de Coverley Papers
Steele, Richard, Sir
English essays
The captain, who did not fail to meet me there at the
appointed hour, bid Sir Roger fear nothing, for that he
had put on the same sword which he made use of at the
battle of Steenkirk. Sir Roger's servants, and among
the rest my old friend the butler, had, I found, provided
themselves with good oaken plants[147] to attend their master
upon this occasion. When he had placed him in his
coach, with myself at his left hand, the captain before (197: 5)
him, and his butler at the head of his footmen in the
rear, we convoyed him in safety to the playhouse, where,
after having marched up the entry in good order, the
captain and I went in with him, and seated him betwixt
us in the pit. As soon as the house was full and the (10)
candles lighted, my old friend stood up and looked about
him with that pleasure which a mind seasoned with humanity
naturally feels in itself at the sight of a multitude
of people who seem pleased with one another, and partake
of the same common entertainment. I could not (15)
but fancy to myself, as the old man stood up in the middle
of the pit, that he made a very proper centre to a
tragic audience. Upon the entering of Pyrrhus, the
knight told me that he did not believe the King of
France himself had a better strut. I was, indeed, very (20)
attentive to my old friend's remarks, because I looked
upon them as a piece of natural criticism; and was well
pleased to hear him, at the conclusion of almost every
scene, telling me that he could not imagine how the play
would end. One while he appeared much concerned for (25)
Andromache, and a little while after as much for Hermione;
and was extremely puzzled to think what would
become of Pyrrhus.
[147] Sticks, cudgels.
When Sir Roger saw Andromache's obstinate refusal
to her lover's importunities, he whispered me in the ear,
that he was sure she would never have him; to which he
added, with a more than ordinary vehemence, "You
can't imagine, sir, what 'tis to have to do with a widow!" (198: 5)
Upon Pyrrhus his[148] threatening afterwards to leave her,
the knight shook his head, and muttered to himself,
"Ay, do if you can." This part dwelt so much upon
my friend's imagination, that at the close of the third
act, as I was thinking of something else, he whispered (10)
in my ear, "These widows, sir, are the most perverse
creatures in the world. But pray," says he, "you that
are a critic, is the play according to your dramatic
rules, as you call them? Should your people in tragedy
always talk to be understood? Why, there is not a (15)
single sentence in this play that I do not know the
meaning of."
[148] This form of the possessive was still occasionally used when the
noun ended in s.
Public-domain text, read in full here on John Shaqi.
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