The Sir Roger de Coverley PapersSteele, Richard, Sir
General
The Sir Roger de Coverley Papers
Steele, Richard, Sir
English essays
=48=: 16. =Never open my lips but in my own club.= "Addison was perfect
good company with intimates; and had something more charming in his
conversation than I ever knew in any other man; but with any mixture
of strangers, and sometimes only with one, he seemed to preserve his
dignity much, with a stiff sort of silence." Pope, quoted in Spence's
_Anecdotes_, p. 38. It will be noticed that while this taciturnity and
reserve were characteristics of Addison, they were utterly foreign to
the disposition of Steele. Steele often talked too soon and too fast,
and he threw himself most heartily into the game of life.
=48=: 27. =Neutrality between the Whigs and Tories.= The Spectator kept
this resolve, though the restriction was difficult for Steele.
=50=: 19. =Mr. Buckley's in Little Britain.= Samuel Buckley was a
printer who, in 1702, had started the first English daily newspaper,
_The Daily Courant_, a little sheet 14 by 8 inches in size. He
undertook to print _The Spectator_ for Steele and Addison. Little
Britain is the name of a short street in London, near Smithfield.
=50=: 24. =C.= All Addison's papers in _The Spectator_ are signed with
some one of the four letters forming the word Clio, the name of the
muse of history. Steele's are signed R or T. In _Spectator_, No. 221,
Addison gives a droll comment upon these "Capital Letters placed at the
End of the papers."
II. THE CLUB
=Motto.= "But other six and more call out with one voice."--Juvenal,
_Satires_, vii, 167.
=51=: 2. =Sir Roger de Coverley.= "The still popular dance-tune from
which Addison borrowed the name of Sir Roger de Coverley in _The
Spectator_, is contained in Playford's _Division Violin_, 1685; in
_The Dancing Master_ of 1696, and all subsequent editions."--Chappell,
_Popular Music of the Olden Time_.
Steele says it was Swift who made the happy suggestion of calling the
old knight by the name of the popular dance.
=51=: 4. =Country-dance.= This seems to be the original form of which
contre-dance and contra-dance are perversions, naturally arising from
the fact that in such dances the men and women stand in lines facing
each other.
=51=: 14. =Soho Square.= Since the time of Charles II this had been a
fashionable quarter of London, but fell into comparative disfavour as a
place of residence before the close of the eighteenth century.
We do not hear again of this town residence of Sir Roger; he is
considered as a country gentleman, who only makes short visits to
London, and then lodges in Norfolk buildings off the Strand.
=52=: 1. =My Lord Rochester and Sir George Etherege.= John Wilmot, Earl
of Rochester (1647-1680), and Sir George Etherege (1634-1694) enjoyed
some little reputation as poets and more notoriety as rakes during
the reign of Charles II. Etherege had considerable dramatic ability;
but both men covered with a veneer of fine manners essentially vulgar
lives, and both died drunkards.
=53=: 2. =Bully Dawson.= "A swaggering sharper of Whitefriars."--Morley.
Public-domain text, read in full here on John Shaqi.
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