Detective and mystery stories; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction
"Why didn’t she telephone me? That’s the whole point."
And, all his irritation restored by this one outstanding fact, he
entered the apartment with the dignity of a justly offended person.
She was seated by the fire in an easy-chair, and she did not rise as he
entered. She was bending eagerly forward, an open manuscript in her
hand, and, without turning, she made a little sign to him to be seated
until she should have finished.
"Wonderful!" she cried at last, dropping the play in her lap. "It is
wonderful!" she repeated, her whole body vibrating with the enthusiasm
of her mood. "Wonderful—astonishing—what a scene!" And, tapping the
manuscript with a gesture of decision, she exclaimed: "I will play that
part—it will be an enormous sensation!"
Her mind still obsessed by the thought of the newly discovered
masterpiece, she turned toward Beecher, who was seated like a ramrod on
the edge of his chair.
"A marvelous play! Really, that Mr. Hargrave is a coming man."
Forgetting her previous estimate, she rushed on: "Isn’t it strange—I
always knew he would do it, from the very first! What is extraordinary
is the subtlety of it—how he twines two or three emotions together in
the same scene. What a glorious chance for an actress! I must telephone
the office."
As she rose, a slip of paper which she had been using as a marker
fluttered to the floor. She picked it up, recognized it, and handed it
to him.
"Oh, yes, here’s your check!" she said. "I put it there so as not to
forget it. Thanks very much. I’ll explain in a minute. I must
telephone Stigler; I’m all excited!"
Beecher, more annoyed by this revelation of her professional life than
by the rub to his vanity, took the check and pocketed it—not having
pronounced a word since his arrival.
She considered him carefully from the corner of her eye as she took up
the telephone; but her personal emotion was too buoyant for trivial
interruptions.
Stigler, her manager, was out, and she put down the receiver with a jar
of impatience. She looked at Beecher again, and, perceiving that there
was an explanation due, sought at once to shift the responsibility.
"Do you know, really, you were ridiculously alarmed last night," she
said, a spirit of opposition in her voice. "I don’t know what made you
so panicky."
"Of course," he said sarcastically, "I realize now that I should never
have stirred you up, when everything was so calm. It’s strange that I
did not explain to you the natural reasons for Mr. Garraboy’s not
calling you up—but then, I usually lose my head at such times."
"You are angry!" she said.
"What a strange idea! On the contrary, it was a charming experience to
enter Mr. Garraboy’s office and be so delightfully reassured that
everything was so prosperous with him."
She did not like irony, or know how to combat it, so she frowned and
said:
"I telephoned you."
"Why should you do that? You might have deprived me of the pleasure of
meeting your charming friend, Mr. Garraboy."
Public-domain text, read in full here on John Shaqi.
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