The parish church of Twickenham must have originally been a very
picturesque feature of the village, and the ancient battlemented tower
still presents a charming appearance from the river; but on to it was
built, in the early eighteenth century, a barnlike red-brick structure
that harmonises very ill with it, and is said to have been designed by
Sir Godfrey Kneller, then churchwarden, who lived in a house near
by--still known as Kneller Hall, now the Royal Military School of
Music--and is buried beneath the central aisle, his contemporary Pope
resting not far from him. Amongst the monuments in the church is one
erected by the latter to the memory of his parents, which Lady Kneller
tried in vain to persuade the poet to remove after the death of her
husband, to make room for a memorial she wished to put up in his
honour; and on the outer wall are some interesting tablets, including
one to the famous comic actress Kitty Clive, who lived {289} in a
cottage belonging to Horace Walpole called Little Strawberry Hill,
later occupied by the Misses Berry, to whom it was bequeathed for their
lifetime, and one to the beloved nurse of Pope, bearing the following
touching inscription: 'To the memory of Mary Beach, who died November
25th, 1725, aged 75, Alexander Pope, whom she nursed in his infancy,
and constantly attended for twenty-eight years, in gratitude to a
faithful servant, erected this stone.'
Little now remains in the populous modern suburb of Twickenham to
recall the days when Dickens wrote in it his romance of _Oliver Twist_,
certain scenes of which are laid at Isleworth, and the great artist
Turner lived in Sandelcombe Lodge, that was recently sold by auction,
fetching £865, but the view up and down stream is still practically the
same as it was a century ago. The short reach between Strawberry Hill
and Teddington Lock is one of the most beautiful on the Thames,
charming alike when deserted but for a few barges being quanted slowly
along, and when crowded with pleasure craft. Specially fascinating are
the scenes that take place below the lock, when electric launches,
skiffs, and punts, full of gaily dressed women and men in boating
costume, await their turn for the opening of the gates; at the Rollers,
and in the quiet pool above them, specially beloved of fishermen, that
contrasts forcibly with the noisy weir, the foam-flecked rush of water
forming a striking background to the groups of yachts and wherries
moored to the Middlesex bank and beneath the Suspension Bridge.
{290}
Public-domain text, read in full here on John Shaqi.
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