Whilst he was Lord Protector of England, Cromwell often resided at
Hampton Court; in its chapel his beloved daughter Mary was married in
1657 to Viscount Falconbridge, and in one of its rooms her sister, Mrs.
Claypole, died in 1658, after a short illness, to the bitter grief of
her father, who had her body taken by river to Westminster, to be
buried with almost regal pomp in Westminster Abbey. Her loss was
indeed the death-blow of the harassed ruler, for though he lived three
months longer he was never the same again. He was removed in a dying
state from Hampton Court to Whitehall, and after he had passed away it
was decided that the palace should be sold and its contents dispersed.
Fortunately, however, the historic building escaped that fate, but
though it was several times occupied by Charles II. and James II., it
was not until the accession of William III. that it again played any
important part in the history of England. From the first the newly
elected monarch and his wife showed a very special predilection for
their estate at Hampton, and Sir Christopher Wren was soon commissioned
to add to the palace an extensive group of buildings that now, with the
great hall of Henry VIII., form its most important features.
Unfortunately Wren's alterations necessitated the pulling down of two
of Wolsey's courts, that had been spared by the cardinal's royal
supplanter, but in spite of this it must be conceded that the famous
architect triumphantly achieved a most difficult task, for the
magnificent state apartments designed by him, though in a totally
different style from that of the {303} earlier buildings, are yet not
out of harmony with them.
Later, the grounds were as completely transformed as the Tudor palace
itself had been. The fine terrace known as the Broad Walk was made,
many new fountains were added to those already in the gardens, the
still popular Maze or Labyrinth was planted, the beautiful gate called
the Flower-Pot--from the baskets of flowers upheld by boys on the stone
piers flanking it--was erected, and the yet more effective wrought-iron
screens designed by Jean Tijou, a Frenchman in the employ of Sir
Christopher Wren, recently, after various wanderings, restored to their
original position, were set up at the riverside end of what is known as
the Priory Garden, separating it from the towing-path.
Public-domain text, read in full here on John Shaqi.
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