The ancient college buildings have been well restored, and retain the
old entrance-gates of finely wrought iron surmounted by the crest and
motto of the founder. They are grouped about a central square, and
consist of a chapel, in the chancel of which Edward Alleyn is buried, a
dining-hall, and an audit room, in which is an interesting collection
{134} of portraits, a library containing more than five thousand
volumes, a schoolroom, and a kitchen. Adjoining the quadrangle, on the
south-west, is the comparatively modern picture-gallery, built after
the designs of Sir John Soane for the reception of a fine collection of
pictures bequeathed to the college in 1811 by Sir Francis Bourgeois, on
the singular condition that he and his friends, Monsieur and Madame
Desenfans, from whom he had inherited the paintings, should be buried
near them. Their remains rest in a mausoleum connected with the
gallery, that was thrown open to the public in 1817, and contains,
amongst many other priceless treasures, masterpieces by Rembrandt,
Murillo, Velasquez, Gainsborough, and Sir Joshua Reynolds. The new
school buildings at Dulwich were built under the superintendence of Sir
Charles Barry after the radical change in the constitution of the
college, and were opened in 1870. They include a noble central block
with a spacious hall, a lecture-theatre and library, whilst two wings
connected with them afford accommodation for a large staff of masters
and some eight hundred boys.
[Sidenote: Sydenham]
Public-domain text, read in full here on John Shaqi.
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