England -- Social life and customs -- Fiction; Gossip -- Fiction; Man-woman relationships -- Fiction; Villages -- Fiction
Howsoever, the man lagged upon the hills, moody and dejected. Of old he
would have sped like a Greek youth through Arcady, but his heart was
heavy that morning and the gods of the wilderness were mute and sad.
Only the beauty of earth rose to him in mockery, the beauty of a
gorgeous courtesan with a head of gold, scorning the visionary whose
senses smelled of heaven. Anon the Burnt House trees stood before him in
the streaming light, warm-bosomed and silent. Under the tiled roof the
roses were already red upon the walls; the lilac and laburnum had fallen
in the garden and the fruit trees had shed their bridal robes. Even the
iron gate had a more dismal tone that morning as the man turned it back
upon its rusty hinges. He walked up the drive slowly, half-hearted as a
prodigal. He would have given much to have had other words under his
tongue.
Joan Gildersedge was at the window of her room, a broad lattice under
the tiles. She had been sitting in the shadow, with her hands idle in
her lap, turning the pages of thought musingly. Gabriel saw her start up
and wave to him from an aureole of jasmine and of roses. He stood before
the porch and waited for the heavy door to open, feeling as though he
held a naked poniard traitorously behind his back.
The girl came out to him with a calm, quick joy that made him start for
breath. Her face was white, her hair coifed loosely, and there were
shadows under her eyes. To Gabriel she had never seemed more beautiful
as she stood before him in the sun.
“I am glad, I am glad,” she said.
“You are ill?”
“No, not ill, only tired.”
There was an unconscious spasm of joy in her voice, an uprising of
gladness in her manner, that made Gabriel sick at heart. He divined what
had been passing under that red-tiled roof, and that love was like the
dawn to one weary of watching through the night. She hungered for such
sympathy as she had often given to him in days of darkness and unrest.
He knew himself suddenly for a broken reed, an empty chalice, a
physician who could wound but could not heal.
“Take me into the garden,” he said; “is it your father?”
“Yes.”
“What can I say to you?”
“You understand; that is enough,” she answered. “He has had one of his
evil times. How the hours have haunted me! I was longing for you, and
like an echo you have answered me.”
They passed together towards the garden where the trimmed yews grew
beside the tall acacia. The green cupolas were crowned with gold; the
grass was a deep mist shot through with purple. Like rubies were the
roses set upon enamelled screens of green.
Joan sat down on the rough seat under the yews. Her face with all its
luminous spirituality remembered to Gabriel, Rossetti’s “Beata Beatrix,”
womanhood glorified by pure loveliness of soul.
“Here is peace,” she said, with lids half closed, “sunlight and shadow
mingled. Sit you down in the grass, Gabriel, and talk to me.”
The man hesitated, then obeyed her. His lips were mute for the moment,
his courage cold.
Public-domain text, read in full here on John Shaqi.
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