England -- Social life and customs -- Fiction; Gossip -- Fiction; Man-woman relationships -- Fiction; Villages -- Fiction
Meanwhile Gabriel had wandered to the garden, where the hand of evening
was crushing the red juices of the sunset, staining the cloudy steps of
heaven. The lawns were of green silk, the flowers thereon like color
fallen from the pallet of day. The cypresses stood clothed with azure,
the pines like Ethiop maidens wrapped in gossamer work of gold. In the
thickets two thrushes were singing, flinging lyric rivalry over the
dusky leaves.
The man plunged to the more lonely depths, a broad hollow where flowers
and shrubs were tangled in a mist of green. He walked, inhaling the
perfumed breath of the hour, with head thrown back, as one who watches
the heavens. All the damsels of the night seemed to steal out of their
chambers, dewy-lipped, ebon-tressed, with eyes liquid as moon-kissed
water. Love! What was it? A vapor and a shade? An intangible essence
dying on the lips when tasted, with an infinite regret!
He passed again from the swarthy shrubberies, and saw the windows of his
own home yellow and tiger-eyed towards the night. Roses beckoned in the
gloom. What were they to him? With the grass like velvet moss under his
feet, he drew near to a window and listened. Music came from within, and
laughter, facile and light. They were merry, these two, merry at his
heart’s cost, and perhaps Gabriel guessed it. Their words were like
falling water to him, confused and meaningless. Despite the pleading
voice of his woman of dreams, he grew full of bitterness and keen irony
of soul.
It had grown dark when he went in to them. A constrained quiet seemed to
pervade the room even from the moment that his hand had touched the
door. Books were forthcoming, cushions, and an occasional trite
monosyllable that broke the silence. More than once a yawn arose behind
the ivory screen of five white fingers. The man’s presence seemed to
agree ill with the atmosphere. It was not long before the two oppressed
ones arose and trailed languidly to bed.
Gabriel sat on over a paper-backed novel that he had found lying in a
chair. _A Close Climax_ was its title, and from some casual
introspection of its pages he surmised that it was gotten from the
French, and not the more ideal for that same reason. He noted remarks
concerning ladies’ underclothing, a perfervid scene in a fashionable
Spanish beauty’s boudoir, sundry hints as to happiness, physical of
course, and a frequent appeal to a sentiment named Love. The book did
not hold much converse with him that evening. It abode on his knee more
as a cynical fragment of realism. An instinctive and nameless fear of
the future was the wraith that stood at his side that night.
Public-domain text, read in full here on John Shaqi.
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