England -- Social life and customs -- Fiction; Gossip -- Fiction; Man-woman relationships -- Fiction; Villages -- Fiction
“You might be sympathetic enough to realize that you no longer have only
your own morbid humors to consider.”
“Pardon me, I am selfish.”
“So early?”
“You shall reform me.”
Ophelia flashed a queer look at him from her strangely magnetic eyes. A
sudden quick spasm of passion seemed to pass through both frames. The
electric sentiment met—and sparked desire. Gabriel colored under his
straw hat.
“You have wonderful eyes.”
“Have I? Well—”
“I suppose we cannot help it.”
“What does it matter?”
The man sighed.
“It will not be long,” he said.
“And yet—”
She laughed—a deep quaver of passion.
“I am much of an Eve,” she said. “If you have any pity, do get me an
ice.”
Mrs. Mince had prepared a garden-party at the Saltire vicarage, a
cosmopolitan affair that effectually repaid the neighborhood for
courtesies accorded during the year. It was one of those thoroughly
inane and tiresome functions where every individual seemed intent on
covering his or her identity with a facile and vapid mask. People smiled
upon one another with a suspicious reserve and insulted one another’s
immortality with that effete social patois that distinguishes such
gatherings. Women “my deared” plentifully and dissected one another’s
toilets. Men looked bored and bunched together in corners to talk with a
vicious and morose earnestness. It was a mock festival in the name of
pleasure, where the local culture displayed its rites for the
edification of the young.
“You should go out and get to know people,” ran John Strong’s favorite
dogma to his son. “Mix in society; it will give you ease, my boy, and
gentlemanly fluency in conversation.” Unfortunately ideas did not bloom
under the Saltire bonnets, and the higher culture was not to be culled
from the tents of propriety.
Mrs. Marjoy and Miss Zinia Snodley were partnering each other under the
shade of Mr. Mince’s walnut-tree. The doctor’s wife was dressed in
damask red, with a dowdy black hat perched ungracefully on her crisp,
black hair. Her gloves were grease-stained and her unbrushed jacket bore
a generous covering of dust and discarded hair. Mrs. Marjoy always
declared that really handsome women could wear anything, and that style
was a personal magnetism, and not the result of milliner’s craft. Mrs.
Marjoy lived up to the ideal with admirable sincerity. It cannot be said
that in the matter of personal proof she converted others. Mrs. Marjoy’s
art was crude and elemental; her friends designated it with the title of
slovenliness. They even whispered that Mrs. Marjoy might so far sink her
convictions as to manicure her nails.
Public-domain text, read in full here on John Shaqi.
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