The life-work of the Serbian Monarchs of the Nemanjić dynasty, who aimed at the inclusion of Serbia within the zone of the then-civilized nations of Europe, failed of its fulfilment, owing to the fall of the Serbian Empire before the Turks. The Serbo-Byzantine architecture of the convents and churches which abound in Macedonia and Serbia, affords admirable proof of the results of this work, the most important examples being Studenitza (1198), Dečani (1331), and Gračanica (1341). A few years later culture made great strides in Dalmatia, but it was not a spontaneous, national growth, but rather the offspring of Slavicized Latin culture, and savoured more of Venice and the Renaissance than of Dalmatia and the Southern Slavs. Furthermore, the artists, scientists, philosophers and writers of Dalmatia went to Italy and were lost to their nation. The poor, down-trodden, uncivilized Southern Slav countries could not provide their artists with a livelihood. The celebrated mathematician, philosopher and astronomer, Roger Bošković, went to Rome, Paris, and London; Nikolo Tomasso, a Serbian from Sevenico, founded the Italian literary language. Julije Lovranić (Laurana), an eminent architect of his time, was a Serbian from Dalmatia, and at one time the teacher of Bramante; and Franjo Laurana, of Palermo, a kinsman of Julije, earned a high place in the history of art through his sculpture; he was especially celebrated for his beautiful female portrait busts. In like manner many Serbians found their way to other countries. For instance, Peter Križanić, a Croatian, was the first Pan-Slavist; he was exiled to Siberia for his schemes of reform and European propaganda in Russia. To this day the Dalmatian ships’ captains are not the only representatives of that country all the world over, but great scientists and inventors like Pupin and Nikola Tesla.