The Smuggler: A Tale. Volumes I-IIIJames, G. P. R. (George Payne Rainsford)
General
The Smuggler: A Tale. Volumes I-III
James, G. P. R. (George Payne Rainsford)
England -- Social life and customs -- 18th century -- Fiction; Kent (England) -- Fiction; Smugglers -- Fiction
He found Galley Ray holding his horse alone; and, as soon as she saw
him, she said, "I've sent the boy away, Mr. Radford, because I wanted
to have a chat with you for a minute, all alone, about that
blackguard, Harding;" and sinking her voice to a whisper, she
proceeded for several minutes, detailing her own diabolical notions,
of how young Radford might best revenge himself on Harding, with a
coaxing manner, and sweet tone, which contrasted strangely and
horribly, both with the words which she occasionally used, and the
general course of her suggestions. Young Radford sometimes laughed,
with a harsh sort of bitter, unpleasant merriment, and sometimes asked
questions, but more frequently remained listening attentively to what
she said.
Thus passed some ten minutes, at the end of which time, he exclaimed,
with an oath, "I'll do it!" and then, mounting his horse, he rode away
slowly and cautiously, on account of the thick fog and the narrow and
stony road.
No sooner was he gone, than little Starlight crept out from between
the cottage and a pile of dried furze-bushes, which had been cast down
on the left of the hut--at once affording fuel to the inhabitants, and
keeping out the wind from a large crack in the wall, which penetrated
through and through, into the room where young Radford had been
conversing with the smugglers.
"Did you hear them, my kiddy?" asked the old woman, as soon as the boy
approached her.
"Every word, Mother Ray," answered little Starlight. "But, get in,
get in, or they will be thinking something; and I'll tell you all
to-morrow."
The old woman saw the propriety of his suggestion; and, both entering
the hovel, the door was shut. With it, I may close a scene, upon which
I have been obliged to pause longer than I could have wished.
CHAPTER IV.
The man who follows a wolf goes straight on after him till he rides
him down; but, in chasing a fox, it is always expedient and fair to
take across the easiest country for your horse or for yourself, to
angle a field, to make for a slope when the neighbouring bank is too
high, to avoid a clay fallow, or to skirt a shaking moss. Very
frequently, however, one beholds an inexperienced sportsman (who does
not well know the country he is riding, and sees the field broken up
into several parties, each taking its own course after the hounds)
pause for several minutes, not knowing which to follow. Such is often
the case with the romance writer also, when the broken nature of the
country over which his course lies, separates his characters, and he
cannot proceed with all of them at once.
Public-domain text, read in full here on John Shaqi.
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