Pageants -- Fiction; Villages -- England -- Fiction
It had been very well advertised, again a matter of skill, though
mingled with luck. It was Beth Appleby who deserved praise for the
advertising. She did not, indeed--no single person could--write
all the preparatory notes and articles which appeared for weeks
beforehand. She did not supply the papers with all the photographs
they published. Other journalists, discovering and developing the
popularity of the pageant, earned their guineas. But it was Beth who
did the spade work and forced the pageant on the attention of editors
who might otherwise not have noticed it. Her character sketch of James
Hinton--"Valet and Artist"--attracted attention in a popular Sunday
paper. A study of Mrs. Eames as an enthusiastic and successful reviver
of the best features of mediæval village life, with its apt quotations
from Blake's poems--"Dark, satanic mills" and "England's green and
pleasant land"--won the sympathy and support of the intellectual
neo-Catholics, a school of writers who still possess a great, though
diminishing influence among the members of suburban literary societies.
Her intimate account of Sir Evelyn's home life--"Studious research
and patient pursuits of original sources"--was read, or at all events
talked of, all over Oxford. It was she who circulated the first
published photograph of the cave, several "camera portraits" of old
Bunce, of the mentally deficient Whittle, and of Lord Colavon seated at
the steering wheel of the Pallas Athene. Her success stimulated other
photographers, and the press was flooded, though by no means sated,
with snapshots of every person and place connected with the pageant.
There was even, in one paper, a picture of Mr. Linker, standing, with
a smile on his face, in front of the door of his shop in Morriton St.
James.
The results of all this care, thought and skill, were obvious early on
the afternoon of the great day. People had talked to each other about
Hailey Compton and wondered where it was. Newspapers found themselves
obliged to publish road maps, often very inaccurate, to satisfy this
desire for information. Motor-cars of every size and make converged
on the stretch of down land above the cliffs, followed each other in
a long procession along the road, and plunged, one after another, down
the twisting lane. There were no accidents, because it was impossible
for any car to break free from control and rush down the hill. When
any brakes failed or any driver lost his nerve, his car merely bumped
gently into the one in front. There was not room for it to gather
dangerous speed before the collision and to produce disaster it would
have had to push, not one or two but at least a hundred cars in front
of it, a thing impossible for any single car to do.
Public-domain text, read in full here on John Shaqi.
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