The Smugglers: Picturesque Chapters in the Story of an Ancient CraftHarper, Charles G. (Charles George)
History
The Smugglers: Picturesque Chapters in the Story of an Ancient Craft
Harper, Charles G. (Charles George)
Smuggling -- Great Britain
John Olliver, miller, was an eighteenth-century eccentric, whose morbid
fancy for having his coffin made early in life, and wheeled under his bed
every night, was not satisfied until he had also built himself a tomb on
the hill-top, on a twelve-foot square plot of ground granted him by the
landowner, one W. W. Richardson, in 1766: a tomb on which he could with
satisfaction look every day. Yet he was not the dull, dispirited man one
might for these things suppose; and Pennant, in his _Tour in Sussex_, is
found saying, “I am told he is a stout, active, cheerful man.” And then
comes this significant passage. “Besides his proper trade he carries on
a very considerable one in smuggled goods.” Let us pause a moment to
reflect upon the impudent public manner in which John Olliver must have
carried on his smuggling activities. To this impudence he added also
figures on his house-top, representing a miller filling a sack and a
smuggler chased by an exciseman with a drawn sword; after the exciseman
coming a woman with a broom, belabouring him about the head. The tomb
the miller had built for eventual occupation by his body was in the
meanwhile generally occupied by spirits—not the spirits of the dead, but
such _eaux de vie_ as hollands and cognac; and he himself was not laid
here for many years, for he lived to be eighty-four years of age, and
died in 1793. He had long been widely known as an eccentric, and
thousands came to his funeral on the unconsecrated spot. Here the tomb,
of the altar-tomb type, stands to this day, kept in excellent repair, and
the lengthy inscriptions repainted; at whose costs and charges I know
not. A small grove of trees almost entirely encircles it. At one end is
a gruesome little sculpture representing Death, as a skeleton, laying a
hand upon an affrighted person, and asking him, “Whither away so fast?”
and at the other end are the following lines:
Why fhould my fancy anyone offend
Whofe good or ill does not on it depend
(A generous gift) on which my Tomb doth ftand
This is the only fpot that I have chofe
Wherein to take my lafting long repofe
Here in the drift my body lieth down
You’ll fay it is not confecrated ground,
I grant ye fame; but where shall we e’er find
The fpot that e’er can purify the mind?
Nor to the body any luftre give.
This more depends on what a life we live
For when ye trumpet fhall begin to found
’Twill not avail where’er ye Body’s found.
Blefsed are they and all who in the Lord the Saviour die
Their bodief wait Redemption day,
And fleep in peace where’er they lay.
On the upper slab are a number of texts and highly moral reflections.
Public-domain text, read in full here on John Shaqi.
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